Mus. 1215
Manuscript. A portfolio folder (early 20th century; upright
format, 392 x 265 mm.) containing 11 discrete and unrelated items.
Small adjustments to the call-numbers and foliation were made
in August 1998; these will not be visible in microfilms made
before that date. Formerly Mus. 1199, then Mus. 1127.
Microfilm: manuscript music, reel 39.
- Mus. 1215(1) Daniel Roseingrave, 'Lord, thou art become gracious'.
Score, copied probably c. 1682-4 by Henry Purcell, with title
and text incipits added by Roseingrave.
- Mus. 1215(2) [John Blow], canon 'No Lucinda I swear the temptations
so sweet' for two voices and continuo. Autograph score, torn
and incomplete at end; the remainder of this sheet is now Mus. 1188-9 (f. 18). English, late 17th century.
- Mus. 1215(3) Organ parts for verse anthems by John Ward, copied
by Stephen Bing; English, 1630s.
- Mus. 1215(4) Anonymous cantata, 'O quanto è contenta
quell'alma'. Copyist unidentified; probably English, mid 17th
century. The name 'Roseingrave', faintly visible at the top
of f. 1r, has been added by a different hand.
- Mus. 1215(5) Vocal work for three voices and continuo, in
score. Originally copied with the Italian text 'Colui che partesi
dal Regno amabile' in an unidentified hand, late 17th century.
Partially re-texted in German (starting 'Warum') in a different
but contemporary hand. Possibly the setting of 'Colui che partesi'
doubtfully attributed elsewhere to Antonio Sartorio.
- Mus. 1215(6) Giacomo Carissimi, cantata 'Care selve beate'
for bass voice and continuo. Copyist unidentified; English,
mid 17th century.
- Mus. 1215(7) Three pieces in keyboard score, the first of
them texted in the upper line, copied by Richard Goodson Sr.
English, early 18th century.
- Mus. 1215(8) Fragment of Giacomo Carissimi, cantata 'Sciolto
havean dall'alte sponde', copied by Richard Goodson Sr; English,
late 17th century.
- Mus. 1215(9) Fragment of an unidentified Italian cantata,
opening with the words '-cida ch'è senza pietà'.
Copyist unidentified, presumably Italian, late 17th century.
- Mus. 1215(10) Doggerel song on a ground bass, beginning 'Hi
jinko brisco alphonzo'. Copied by Richard Goodson Sr; apparently
his composing score. English, late 17th century.
- Mus. 1215(11) Daniel Purcell, 'In spight of Despair the young
& the fair' ('Song between hope & Despair'). Copied
by an unidentified hand that has been designated 'London A' [?Francis
Pigott] in the Purcell literature; English, early C18th.
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