Mus. 1154
Manuscript. A portfolio folder (early 20th century; upright
format, 350 x 220 mm.) containing 13 discrete and largely unrelated
items. Fascicle H is bound after fascicle I. Small adjustments
to the numbering of the contents were made in August 1998 and
June 2003; these will not be present in microfilms made before
those dates. At the end of the volume there are three loose
sheets of notes by York Powell, referring to the contents,
texts and binding of those items that were formerly held within
the Portfolios at position I.2.δ, several of which
are now in Mus. 1154. Formerly Mus. 1037.
Microfilm: manuscript music, reel 60.
- Mus. 1154(A) Maurizio Cazzati, dialogue 'Crutior in hac flamma'.
Score, probably English, 2nd half of 17th century. Later addition
on f. 5r: minuet in g for keyboard by 'W[illiam]. Turner' [ii],
autograph; English, last quarter of 17th century.
- Mus. 1154(B) Unattributed song 'Whilst Health & blooming
Youth' for two voices (soprano, bass) and continuo. There are
two copies: a short score (f. 2), which is in the hand of James
Talbot, and may be his composing autograph; and a neat copy
in full score (ff. 1, 3), in an unidentified hand, probably not
Talbot's own. Both English, late 17th century.
- Mus. 1154(C) Three instrumental parts ('Violino Primo', 'Violino
Secondo' and 'Violone') for [Giovanni Battista Bassani], motet
'In hoc mundo', copied by James Talbot. English, late 17th century.
- Mus. 1154(D) Three instrumental parts ('Violino Primo', 'Violino
Secondo' and 'Violone') for [Giovanni Battista Bassani], motet
'Aligeri Amores', copied by James Talbot. English, late 17th
century.
- Mus. 1154(E) Three instrumental parts ('Violino Primo', 'Violino
Secondo' and 'Violone') for [Giovanni Battista Bassani], motet
'Pompae vanae', copied by James Talbot. English, late 17th century.
- Mus. 1154(F) Three instrumental parts ('Violino Primo', 'Violino
Secondo' and 'Violone') for [Giovanni Battista Bassani], motet
'In Caligine', copied by James Talbot. English, late 17th century.
- Mus. 1154(F*) Manuscript. Two instrumental parts ('Violino
Primo', 'Violino Secondo') for [Giovanni Battista Bassani], motet
'Ejah Tubae', the first copied by James Talbot, the second in
an unidentified hand. English, late 17th century.
- Mus. 1154(G) 'All things are hush'd', for three voices and
continuo, copied by Richard Goodson Sr; possibly his autograph
composing score. English, late 17th century.
- Mus. 1154(I) Unattributed motet 'O crux benedicta', for two
voices (soprano, bass) and continuo. Score, copyist unidentifed;
English, mid-late17th century.
- Mus. 1154(H) Incomplete score of Alphonse d'Eve, motet 'Alma
redemptoris mater', copied by Richard Goodson Sr, presumably
from the printed edition in Mus. 841-51. English, late 17th
century.
- Mus. 1154(K) Unattributed song, 'Bright Phebus just had now
adorn'd the skies' for soprano and continuo, copied in score
by William Husbands; English, 1670s or 80s.
- Mus. 1154(L) 'A shepherd charmd with Evry Grace' for soprano
and continuo, copied in score by Richard Goodson Sr; unattributed,
but evidently Goodson's autograph composing score. English,
late 17th century.
- Mus. 1154(M) Unattributed song 'A poor soul satt sighing near
a ginger bread stall' for soprano and continuo. Score, copyist
unknown; English, late 17th century.
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