Mus. 508-9
Printed. Contratenor and Bassus partbooks from an otherwise
unlocated set of five, in 13 tracts.
Mus. 508-9(1)
Liber primus cantionum sacrarum, (vulgo moteta vocant) quinque vocum ex optimis quibusq[ue] musicis selectarum.
Louvain: Apud Petrum Phalesium, 1555
RISM B/I 15552 
Mus. 508: Contratenor; Mus. 509: Bassus. |
Mus. 508-9(2)
Liber secundus cantionum sacrarum, (vulgo moteta vocant) quinque & sex vocum ex optimis quibusq[ue] musicis selectarum.
Louvain: Apnd [sic] Petrum Phalesium, 1554
RISM B/I 15542
Mus. 508: Contratenor; Mus. 509: Bassus. |
Mus. 508-9(3)
Liber tertius cantionum sacrarum vulgo moteta vocant, quinque et sex vocum ex optimis quibusque musicis selectarum.
Louvain: Apud Petrum Phalesium, 1554
RISM B/I 15543
Mus. 508: Contratenor; Mus. 509: Bassus. |
Mus. 508-9(4)
Liber quartus cantionum sacrarum vulgo moteta vocant, quinque et sex vocum ex optimis quibusq; musicis selectarum.
Louvain: Apud Petrum Phalesium, 1559
RISM B/I 15593
Mus. 508: Contratenor; Mus. 509: Bassus. |
Mus. 508-9(5)
Manchicourt, Pierre de, ca. 1510-1564 
Liber quintus cantionum sacrarum vulgo moteta vocant, quinque et sex vocum à D. Magistro Petro Manchicurtio Betunio insignis ecclesi[a]e Tornacensis phonasco nunc primum in lucem [a]editus.
Louvain: Apud Petrum Phalesium, 1560
RISM A/I M274
Mus. 508: Contratenor; Mus. 509: Bassus. |
Mus. 508-9(6)
Liber sextus cantionum sacrarum vulgo moteta vocant, quinque et sex vocum ex optimis quibusque musicis selectarum.
Louvain: Apud Petrum Phalesium, 1558
RISM B/I 15585
Mus. 508: Contratenor; Mus. 509: Bassus. |
Mus. 508-9(7)
Liber septimus cantionum sacrarum vulgo moteta vocant, quinque et sex vocum ex optimis quibusq; musicis selectarum.
Louvain: Apud Petrum Phalesium, 1558
RISM B/I 15586
Mus. 508: Contratenor; Mus. 509: Bassus. |
Mus. 508-9(8)
Liber octavus cantionum sacrarum vulgo moteta vocant, quinque[,] sex[,] septem et octo vocum ex optimis quibusque musicis selectarum.
Louvain: Apud Petrum Phalesium, 1558
RISM B/I 15587
Mus. 508: Contratenor; Mus. 509: Bassus. |
Mus. 508-9(9)
Premier livre des chansons a cincq et six parties nouvellement composez et mises en musicque, convenables tant aux instrumentz comme à la voix.
Louvain: Par Piere Phalese, 1556
RISM B/I 155613
Mus. 508: Contratenor; Mus. 509: Bassus. |
Mus. 508-9(10)
Second livre des chansons a cincq et six parties nouvellement composez & mises en musicque, convenables tant aux instrumentez comme à la voix.
Louvain: Par Pierre Phalese, 1560
RISM B/I 15605
Mus. 508: Contratenor; Mus. 509: Bassus. |
Mus. 508-9(11)
Lasso, Orlando di, 1532-1594
Tiers livre des chansons a quatre[,] cincq et six parties novellement composez par Orlando di Lassus convenables tant aux instrumentez comme à la voix.
Louvain: Par Pierre Phalese, 1560
RISM A/I L764
Mus. 508: Contratenor; Mus. 509: Bassus. |
Mus. 508-9(12)
Septiesme livre des chansons a quatre parties convenables tant aux instrumentez comme à la voix.
Louvain: Par Pierre Phalese, 1560
RISM B/I 15606
Mus. 508: Contratenor; Mus. 509: Bassus. |
Mus. 508-9(13)
Premier livre du recueil des fleurs produictes de la divine musicque a trois parties depar Clemens non Papa[,] Thomas Cricquillon & aultres excellens musichiens.
Louvain: Par Pierre Phalese, 1560
RISM B/I 15607
Mus. 509: Bassus (only). |
Provenance: from the Aldrich bequest, listed in Dowding
(main hand) at shelfmarks M.2.4-5 as 'Cantionum Sacr vulgo motect.
/ 7 Libri à 5. & 6. voc. ex optimis quibusque Musicis
select. Louvain 1558' and 'Chansons / 7 Livres à 4 parties
convenables tant aux Instrumens comme à le Voix. Louvain
1560. 2 vols.'.
Oblong format, c. 215 x 165 mm. Late C16th bindings of brown
leather over boards; English, including scraps of a legal document
and a liturgical book used as strengtheners; stubs of pink ties
at all three edges; gilt edges; covers tooled with fillets
and ornaments (partially in gilt), and stamped 'H B' (upper and
lower covers). These initials can be identified as Henry Billingsley,
owner of Mus. 318-19 and Mus. 306-9. All three sets have
the initials 'A B' in C17th pencil on front flyleaves or titlepages.
Bookplate 2 in both volumes. C19th shelfmarks: I.7.10-11.
Microfilm: The printed music of Christ Church, Oxford, reel 29.
View microfilm details.
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