Mus. 23
Manuscript. Motets, liturgical works, and extracts from Lully's
Cadmus et Hermione, copied in score by Richard Goodson
Sr and others, with later additions by Richard Goodson Jr; English,
late 17th and early 18th centuries. Goodson Sr was responsible
for copying all except the following: items 1 (copyist unidentified),
2 (copied by Edward Lowe), 23-5 (copyist unidentified), and 34-5,
37 and 42-3 (copied by Goodson Jr, working from the rear with
the volume inverted).
- Item 34: a setting of Horace, Odes 1/XXII. Goodson also copied
part of this Ode in Mus. 622, item 10. For Heighington's preliminary
autograph sketches for this and other Odes, see Mus. 363. A
later version of this Ode was published in 1744; extant copies
of this publication include Oxford, Bodleian Library, Mus. 20.
c.20 and Tenbury Mus. c.542 (2).
- Item 35: copied by Goodson Jr from Mus. 794, printed tract
3, where p. 40 is annotated by him as follows: 'N.B: this is
wrote out into one of the Brown Leather Schore Books'.
Table of titles and composers in modern form. Display form found in manuscript.
The first column gives the modern numbering of the pieces; the second shows numbering used by the copyist(s).
1 |
|
Giacomo Carissimi |
Lucifer |
ff. 2v-3v |
2 |
|
John Blow |
Awake, my lyre |
ff. 4r-6v |
3 |
|
John Blow |
Fair nymph, that to the wanton winds |
ff. 7r-10r |
4 |
|
Henry Purcell |
Alas, how barbarous are we [Z482] |
ff. 10v-11r |
5 |
|
John Blow |
Go, perjur'd man |
ff. 11v-13r |
6 |
|
Robert Smith |
O time, thy wings are wet ['A dialogue...'] |
ff. 13v-15r |
7 |
1 |
Jean-Baptiste Lully |
Overture [from 'Cadmus et Hermione'] |
ff. 16v-18r |
8 |
4 |
Jean-Baptiste Lully |
Gavot [from 'Cadmus et Hermione'] |
f. 18v |
9 |
5 |
Jean-Baptiste Lully |
Chaconne [from 'Cadmus et Hermione'] |
ff. 19r-22r |
10 |
15 |
Jean-Baptiste Lully |
Les vents [from 'Cadmus et Hermione'] |
ff. 22v-23r |
11 |
11 |
Jean-Baptiste Lully |
Les sacrificateurs [from 'Cadmus et Hermione'] |
ff. 23v-24r |
12 |
10 |
Jean-Baptiste Lully |
Sacrifice de Mars [from 'Cadmus et Hermione'] |
ff. 24v-25r |
13 |
12 |
Jean-Baptiste Lully |
Les combattans [from 'Cadmus et Hermione'] |
f. 25v |
14 |
16 |
Jean-Baptiste Lully |
Gavotte [from 'Cadmus et Hermione'] |
f. 26r |
15 |
7 |
Jean-Baptiste Lully |
Les statues [from 'Cadmus et Hermione'] |
ff. 26v-27r |
16 |
8 |
Jean-Baptiste Lully |
Les statues (2nd air) [from 'Cadmus et Hermione'] |
ff. 27v-28r |
17 |
14 |
Jean-Baptiste Lully |
Prelude, Act V [from 'Cadmus et Hermione'] |
f. 28v |
18 |
17 |
Jean-Baptiste Lully |
Minuet [from 'Cadmus et Hermione'] |
f. 29r |
19 |
2 |
Jean-Baptiste Lully |
Ritournelle [= Rondeau; from 'Cadmus et Hermione'] |
f. 29v |
20 |
9 |
Jean-Baptiste Lully |
Ritournelle [from 'Cadmus et Hermione'] |
f. 30r |
21 |
13 |
Jean-Baptiste Lully |
Ritournelle [from 'Cadmus et Hermione'] |
f. 30r |
22 |
6 |
Jean-Baptiste Lully |
Ritournelle [from 'Cadmus et Hermione'] |
f. 30v |
23 |
|
Jean-Baptiste Lully |
Heureux qui peut plaire [from 'Cadmus et Hermione'] |
f. 30v |
24 |
|
Jean-Baptiste Lully |
Le Dieu Pan [= Que chacun] [from 'Cadmus et Hermione'] |
f. 31r |
25 |
|
Jean-Baptiste Lully |
Peut on mieux faire [from 'Cadmus et Hermione'] |
f. 31v |
26 |
|
Jean-Baptiste Lully |
Suivons l'amour [from 'Cadmus et Hermione'] |
f. 32r |
27 |
|
Jean-Baptiste Lully |
Amants aymez [from 'Cadmus et Hermione'] |
f. 32r |
28 |
|
Jean-Baptiste Lully |
Gueris toy [from 'Cadmus et Hermione'] |
f. 32v |
29 |
|
John Blow |
My trembling song, awake |
ff. 33v-45r |
30 |
|
Giovanni Battista Bassani |
Quid arma, quid bella |
ff. 45v-49r |
31 |
|
Giovanni Battista Bassani |
In hoc mundo inconstante |
ff. 49v-53v |
32 |
|
Giovanni Battista Bassani |
In caligine umbrosa |
ff. 54r-60r |
33 |
|
Henry Purcell |
Celebrate this festival [Z321] |
ff. 60v-65r |
34 |
|
Musgrave Heighington |
Integer vitae scelerisque purus |
ff. 70v-66v |
35 |
|
Henry Purcell |
In guilty night [Z134] |
ff. 76r-71r |
36 |
|
Henry Purcell |
Kindly treat Maria's day [from 'Celebrate this festival', Z321 (14); see no. 33 above] |
ff. 71v-72r |
37 |
|
|
Mass a3 (Sanctus only) [= Mus. 13, no. 30] |
ff. 79r-76v |
38 |
|
William Croft |
Service in b: T/J |
ff. 79v-90r |
39 |
|
William Croft |
Lord, what love have I |
ff. 91r-94v |
40 |
|
John Goldwin |
O Lord, how glorious are thy works |
ff. 95r-96r |
41 |
|
Jeremiah Clarke |
How long wilt thou forget me |
ff. 96v-98r |
42 |
|
|
Mass a3 (K/G/C only) [=Mus. 13, no. 30] |
ff. 115r-98v |
43 |
|
John Banister (i) |
The bread is all baked [from 'The man's the master'] |
ff. 119v-115v |
Upright format, 360 x 237 mm. 119 folios; foliation is in modern
pencil. Unused ruled staves on ff. 1r-2r, 15v-16r, 33r, 65v-66r
and 90v. Late 17th-century binding of tooled rough brown leather
over boards. Front flyleaf signed 'Mr Richard Goodson [Sr] his
booke'. Inside upper cover signed 'Richard Goodson [Jr]' (partly
concealed beneath a modern contents-list), and inside lower cover
'Richard Goodson [Jr] - Oxon'. No early bookplate. 19th-century
shelfmark: H.1.23.
Provenance: from the Goodson bequest, listed in Clement 1747
as 'Te Deum & Jubilate in Score Dr Croft M.S. No. 12' (to
which a later hand has added 'with other Music by Blow, Carissimi
&c'); listed in Malchair 1787 (f. 2) as 'a mass Carissimi
/ Blow / Bassani / Service Croft / Goldwin / Catch - the man
is - the Master Jo. Banister / Folio rugh Calf'. Clement's number-label
is missing from the volume itself.
Microfilm: manuscript music, reel 4.
This is one of the many music manuscripts at Christ Church copied by Richard Goodson Sr.
|