The following materials are available for purchase on microfilm as detailed below. The contents of the reels are believed to be accurate, in so far as the items listed below appear on the reels, but as the catalogue is not yet complete there may be other material in addition. You should check with the publisher of the microfilm before ordering, and Christ Church accepts no liability should the contents differ from those stated here.
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Series: The music collection of Christ Church, Oxford
Available from: Primary Source Microfilm, Cengage Gale, Cheriton House, Northway, Andover, Hampshire, SP10 5BE, United Kingdom.
Telephone: +44 (0)1264 342832, E-mail: emea.customerservices@cengage.com.
Mus. 750 | Reel 49 | |
Mus. 751 | Reel 49 | |
Mus. 753 | Reel 49 |
The full details of the contents of these reels are shown below, with the material of interest highlighted in red in the left margin. The reels which you would need to obtain to acquire this material are highlighted in pink. These reels may also contain some part-books from other sets. If further reels of film are required to complete these other sets, these are also shown below so that you can judge whether or not they are of interest.
Reel 49 | Reel 49 | Reel 49 | Reel 49 | Reel 49 | ||
---|---|---|---|---|---|---|
Mus. 510-14 | Mus. 510 | Mus. 511 | Mus. 512 | Mus. 513 | Mus. 514 | |
Mus. 510-14, no. 1 I look for the Lord [adaptation of 'Absterge Domine'] / [Thomas Tallis; arr. Henry Aldrich] |
p. 2 | p. 2 | p. 2 | p. 2 | p. 2 | |
Mus. 510-14, no. 2 I look for the Lord [adaptation of 'Absterge Domine'] / [Thomas Tallis; arr. Henry Aldrich] |
p. 3 | p. 3 | p. 3 | p. 3 | p. 3 | |
Mus. 510-14, no. 3 O pray for the peace of Jerusalem [adaptation of 'In manus tuas' and 'O nata lux'] / [Thomas Tallis; arr. Henry Aldrich] |
p. 4 | p. 4 | p. 4 | p. 4 | p. 4 | |
Mus. 510-14, no. 4 [Litany] / [Thomas Tallis; arr. Henry Aldrich] |
pp. 6-7 | pp. 6-7 | pp. 6-7 | p. 6 | ||
Mus. 510-14, no. 5 [Litany] / [Thomas Tallis; arr. Henry Aldrich] |
pp. 6-7 | pp. 8-9 | pp. 8-9 | pp. 8-9 | pp. 10-11 | |
Mus. 510-14, no. 6 Padre del ciel / Alfonso Fontanelli |
p. 97 | p. 97 | p. 97 | p. 97 | p. 97 | |
Mus. 510-14, no. 7 O sonno, O della quet'humida / Marco da Gagliano |
p. 98 | p. 98 | p. 98 | p. 98 | p. 98 | |
Mus. 510-14, no. 8 Questo silenzio che'l di fuggo / Marco da Gagliano |
p. 99 | p. 99 | p. 99 | p. 99 | p. 99 | |
Mus. 510-14, no. 9 L'ardente tua facella / Marco da Gagliano |
p. 100 | p. 100 | p. 100 | p. 100 | p. 100 | |
Mus. 510-14, no. 10 Su la sponda del Tebro / Marco da Gagliano |
p. 101 | p. 101 | p. 101 | p. 101 | p. 101 | |
Mus. 510-14, no. 11 Filli, mentre ti bacio / Marco da Gagliano |
p. 102 | p. 102 | p. 102 | p. 102 | p. 102 | |
Mus. 510-14, no. 12 Dolce esco del mio cor / Lucrezio Quintiani |
p. 103 | p. 103 | p. 103 | p. 103 | p. 103 | |
Mus. 510-14, no. 13 Dolce d'ogni mio ben ricco tesoro / Lucrezio Quintiani |
p. 104 | p. 104 | p. 104 | p. 104 | p. 104 | |
Mus. 510-14, no. 14 Caro, caro amoroso neo / Carlo Gesualdo |
p. 105 | p. 105 | p. 105 | p. 105 | p. 105 | |
Mus. 510-14, no. 15 Hai rotto, e sciolto / Carlo Gesualdo |
p. 106 | p. 106 | p. 106 | p. 106 | p. 106 | |
Mus. 510-14, no. 16 Che sentir deve il petto / Carlo Gesualdo |
p. 107 | p. 107 | p. 107 | p. 107 | p. 107 | |
Mus. 510-14, no. 17 Candida man / Carlo Gesualdo |
p. 108 | p. 108 | p. 108 | p. 108 | p. 108 | |
Mus. 510-14, no. 18 Non mi togl'il ben mio / Carlo Gesualdo |
p. 109 | p. 109 | p. 109 | p. 109 | p. 109 | |
Mus. 510-14, no. 19 All'apparir di quelle luci ardenti / Carlo Gesualdo |
p. 110 | p. 110 | p. 110 | p. 110 | p. 110 | |
Mus. 510-14, no. 20 Baci soavi e cari / Carlo Gesualdo |
p. 111 | p. 111 | p. 111 | p. 111 | p. 111 | |
Mus. 510-14, no. 21 Mentre Madonn'il lasso / Carlo Gesualdo |
p. 112 | p. 112 | p. 112 | p. 112 | p. 112 | |
Mus. 510-14, no. 22 Ahi troppo saggia nel'errar / Carlo Gesualdo |
p. 113 | p. 113 | p. 113 | p. 113 | p. 113 | |
Mus. 510-14, no. 23 Del bel de bei vostr'occhi / Carlo Gesualdo |
p. 114 | p. 114 | p. 114 | p. 114 | p. 114 | |
Mus. 510-14, no. 24 Ahi dispietat'e cruda / Carlo Gesualdo |
p. 115 | p. 115 | p. 115 | p. 115 | p. 115 | |
Mus. 510-14, no. 25 Languisc'e moro / Carlo Gesualdo |
p. 116 | p. 116 | p. 116 | p. 116 | p. 116 | |
Mus. 510-14, no. 26 Dolcissimo sospiro / Carlo Gesualdo |
p. 117 | p. 117 | p. 117 | p. 117 | p. 117 | |
Mus. 510-14, no. 27 Deh se gia fu crudele / Carlo Gesualdo |
p. 118 | p. 118 | p. 118 | p. 118 | p. 118 | |
Mus. 510-14, no. 28 Questa crudele e pia / Carlo Gesualdo |
p. 119 | p. 119 | p. 119 | p. 119 | p. 119 | |
Mus. 510-14, no. 29 Moro, moro, e mentre sospiro / Carlo Gesualdo |
p. 120 | p. 120 | p. 120 | p. 120 | p. 120 | |
Mus. 510-14, no. 30 Quando di lui / Carlo Gesualdo |
p. 121 | p. 121 | p. 121 | p. 121 | p. 121 | |
Mus. 510-14, no. 31 Sparge la mort'al mio signor / Carlo Gesualdo |
p. 122 | p. 122 | p. 122 | p. 122 | p. 122 | |
Mus. 510-14, no. 32 Mentre gira costei / Carlo Gesualdo |
p. 123 | p. 123 | p. 123 | p. 123 | p. 123 | |
Mus. 510-14, no. 33 Ecco moriro dunque / Carlo Gesualdo |
p. 124 | p. 124 | p. 124 | p. 124 | p. 124 | |
Mus. 510-14, no. 34 Se gl'amorosi miei / Tomaso Pecci |
p. 125 | p. 125 | p. 125 | p. 125 | p. 125 | |
Mus. 510-14, no. 35 Cosi in gelida / Tomaso Pecci |
p. 126 | p. 126 | p. 126 | p. 126 | p. 126 | |
Mus. 510-14, no. 36 Amarilli de mia / Tomaso Pecci |
p. 127 | p. 127 | p. 127 | p. 127 | p. 127 | |
Mus. 510-14, no. 37 Perfidissimo volto / Tomaso Pecci |
p. 128 | p. 128 | p. 128 | p. 128 | p. 128 | |
Mus. 510-14, no. 38 Ahi che spent'e'l desio / Tomaso Pecci |
p. 129 | p. 129 | p. 129 | p. 129 | p. 129 | |
Mus. 510-14, no. 39 O donna, troppo crud'e troppo bella / Tomaso Pecci |
p. 130 | p. 130 | p. 130 | p. 130 | p. 130 | |
Mus. 510-14, no. 40 Ahi, ch'el mio cor si fuggi / Tomaso Pecci |
p. 131 | p. 131 | p. 131 | p. 131 | p. 131 | |
Mus. 510-14, no. 41 Dolce tormento mio / Tomaso Pecci |
p. 132 | p. 132 | p. 132 | p. 132 | p. 132 | |
Mus. 510-14, no. 42 Cosi pietosa i colpi rinovella / Tomaso Pecci |
p. 133 | p. 133 | p. 133 | p. 133 | p. 133 | |
Mus. 510-14, no. 43 Ch'io mora, ohime ch'io mora / Tomaso Pecci |
p. 134 | p. 134 | p. 134 | p. 134 | p. 134 | |
Mus. 510-14, no. 44 Quel neo, quel vago neo / Tomaso Pecci |
p. 135 | p. 135 | p. 135 | p. 135 | p. 135 | |
Mus. 510-14, no. 45 Sospir, che del bel petto di Madonna / Tomaso Pecci |
p. 136 | p. 136 | p. 136 | p. 136 | p. 136 | |
Mus. 510-14, no. 46 Amor io parto / Tomaso Pecci |
p. 137 | p. 137 | p. 137 | p. 137 | p. 137 | |
Mus. 510-14, no. 47 O nelle tue sventure aventurosa / Tomaso Pecci |
p. 138 | p. 138 | p. 138 | p. 138 | p. 138 | |
Mus. 510-14, no. 48 E pender semi viva / Tomaso Pecci |
p. 139 | p. 139 | p. 139 | p. 139 | p. 139 | |
Mus. 510-14, no. 49 Del piu leggiadro fiore / Tomaso Pecci |
p. 140 | p. 140 | p. 140 | p. 140 | p. 140 | |
Reel 49 | ||||||
Mus. 620 | Mus. 620 | |||||
Mus. 620 (pp. 1-101), no. 1 Rondeau Minuet, from 'The Gordian knot untied' (Z597/3) / Henry Purcell |
p. 1 | |||||
Mus. 620 (pp. 1-101), no. 2 Minuet, from 'Distressed Innocence' (Z577/8) / Henry Purcell |
p. 1 | |||||
Mus. 620 (pp. 1-101), no. 3 Song tune ('We, the spirits of the air'), from 'The Indian Queen' (Z630/17bc) / Henry Purcell |
p. 2 | |||||
Mus. 620 (pp. 1-101), no. 4 Third Act tune, from 'The Indian Queen' (Z630/18) / Henry Purcell |
pp. 2-3 | |||||
Mus. 620 (pp. 1-101), no. 5 Rondeau, from 'The Fairy Queen' (Z629/2b) / Henry Purcell |
p. 3 | |||||
Mus. 620 (pp. 1-101), no. 6 Air ('Second music'), from 'The Fairy Queen' (Z629/2a) / Henry Purcell |
p. 4 | |||||
Mus. 620 (pp. 1-101), no. 7 Saraband, from 'Amphitryon' (Z572/2) / Henry Purcell |
p. 4 | |||||
Mus. 620 (pp. 1-101), no. 8 Air, from 'The Double Dealer' (Z592/9) / Henry Purcell |
p. 5 | |||||
Mus. 620 (pp. 1-101), no. 9 Song tune ('Fairest isle'), from 'King Arthur' (Z628/38) / Henry Purcell |
pp. 5-6 | |||||
Mus. 620 (pp. 1-101), no. 10 Hornpipe, from 'Abdelazer' (Z570/8) / Henry Purcell |
p. 6 | |||||
Mus. 620 (pp. 1-101), no. 11 Air, from 'Bonduca' (Z574/6) / Henry Purcell |
p. 7 | |||||
Mus. 620 (pp. 1-101), no. 12 Air and Slow Air, from 'Distressed Innocence' (Z577/2-3) / Henry Purcell |
pp. 7-8 | |||||
Mus. 620 (pp. 1-101), no. 13 Slow air, from 'The Virtuous Wife' (Z611/3) / Henry Purcell |
p. 9 | |||||
Mus. 620 (pp. 1-101), no. 14 Air, from 'Bonduca' (Z574/4) / Henry Purcell |
pp. 9-10 | |||||
Mus. 620 (pp. 1-101), no. 15 Song Tune ('Second Act tune'), from 'Dioclesian' (Z627/15) / Henry Purcell |
p. 10 | |||||
Mus. 620 (pp. 1-101), no. 16 Song Tune ('Symphony'), from 'Dioclesian' (Z627/10a) / Henry Purcell |
p. 11 | |||||
Mus. 620 (pp. 1-101), no. 17 Song Tune ('Prelude'), from 'The Fairy Queen' (Z629/44a) / Henry Purcell |
p. 11 | |||||
Mus. 620 (pp. 1-101), no. 18 Trumpet tune, from 'The Indian Queen' (Z630/4a) / Henry Purcell |
p. 12 | |||||
Mus. 620 (pp. 1-101), no. 19 March, from 'The Married Beau' (Z603/8) / Henry Purcell |
pp. 12-13 | |||||
Mus. 620 (pp. 1-101), no. 20 Rondeau and March, from 'The Old Bachelor' (Z607/5 & 8) / Henry Purcell |
pp. 13-14 | |||||
Mus. 620 (pp. 1-101), no. 21 Air ('Third Act tune'), from 'Dioclesian' (Z627/19) / Henry Purcell |
p. 15 | |||||
Mus. 620 (pp. 1-101), no. 22 Air ('First Act tune'), from 'King Arthur' (Z628/11) / Henry Purcell |
pp. 15-16 | |||||
Mus. 620 (pp. 1-101), no. 23 Slow air, from 'The Married Beau' (Z603/2) / Henry Purcell |
p. 16 | |||||
Mus. 620 (pp. 1-101), no. 24 Air, from 'The Indian Queen' (Z630/22) / Henry Purcell |
p. 17 | |||||
Mus. 620 (pp. 1-101), no. 25 Canaries, from 'Dioclesian' (Z627/34) / Henry Purcell |
p. 17 | |||||
Mus. 620 (pp. 1-101), no. 26 Air ('Trumpet tune'), from 'Dioclesian' (Z627/21) / Henry Purcell |
p. 18 | |||||
Mus. 620 (pp. 1-101), no. 27 Slow air, from 'The Old Bachelor' (Z607/3) / Henry Purcell |
pp. 18-19 | |||||
Mus. 620 (pp. 1-101), no. 28 Scotch Tune, from 'Amphitryon' (Z572/4) / Henry Purcell |
p. 19 | |||||
Mus. 620 (pp. 1-101), no. 29 Round O, from 'All for the better' / Jeremiah Clark |
p. 21 | |||||
Mus. 620 (pp. 1-101), no. 30 Unidentified keyboard movement in d minor |
p. 21 | |||||
Mus. 620 (pp. 1-101), no. 31 Sonatas of Four Parts: no.10, in d / Henry Purcell |
pp. 23-28 | |||||
Mus. 620 (pp. 1-101), no. 32 Unidentified suite in B flat: Overture, Almaine, Sarabrand, Hornpipe, Gavot, Jigg, Slow |
pp. 29-37 | |||||
Mus. 620 (pp. 1-101), no. 33 Unidentified suite in G: Entry, Ritornello, Almain, Sarabrand, Jigg |
pp. 38-48 | |||||
Mus. 620 (pp. 1-101), no. 34 Unidentified suite in B flat: Almaine, Minuet, Gavot, Sarabrand, Jigg, Brouch |
pp. 49-52 | |||||
Mus. 620 (pp. 1-101), no. 35 Suite in g for 'Courtship a la mode' / William Croft |
pp. 54-68 | |||||
Mus. 620 (pp. 1-101), no. 36 Suite in B flat for 'The Lying Lover' / William Croft |
pp. 69-86 | |||||
Mus. 620 (pp. 1-101), no. 37 Sonatas of Four Parts: no.9, in F (incomplete) / Henry Purcell |
pp. 23-28 | |||||
Mus. 620 (pp. 1-101), no. 38 Trio sonata Op. III no. 3 / Arcangelo Corelli |
pp. 94-100 | |||||
Mus. 620 (pp. 102-133), no. 1 Fantasia-suite no. 1 in a minor, for 2 trebles, bass and organ (VdGS 13-15): Fantasy / Alman / Galliard / Christopher Gibbons |
pp. 102-105 | |||||
Mus. 620 (pp. 102-133), no. 2 Fantasia-suite no. 2 in a minor, for 2 trebles, bass and organ (VdGS 16-18): Fantasy / Alman / Galliard / Christopher Gibbons |
pp. 106-109 | |||||
Mus. 620 (pp. 102-133), no. 3 Fantasia-suite no. 3 in d minor, for 2 trebles, bass and organ (VdGS 19-21): Fantasy / Almain / Galliard / Christopher Gibbons |
pp. 110-113 | |||||
Mus. 620 (pp. 102-133), no. 4 Fantasia-suite no. 4 in d minor, for 2 trebles, bass and organ (VdGS 22-4): Fantasy / Alman / Galliard / Christopher Gibbons |
pp. 114-117 | |||||
Mus. 620 (pp. 102-133), no. 5 Fantasia-suite no. 5 in D major, for 2 trebles, bass and organ (VdGS 25-7): Fantasy / Alman / Galliard / Christopher Gibbons |
pp. 118-122 | |||||
Mus. 620 (pp. 102-133), no. 6 Fantasia-suite no. 6 in D major, for 2 trebles, bass and organ (VdGS 28-30): Fantasy / Alman / Galliard / Christopher Gibbons |
pp. 123-128 | |||||
Mus. 620 (pp. 102-133), no. 7 Fantasia upon one note (a5, in F major), Z745 / Henry Purcell |
pp. 129-131 | |||||
Mus. 620 (pp. 134-161), no. 1 Set 1 in C major for 2 trebles, bass viol and organ (VdGS 1) / John Coprario |
pp. 134-141 | |||||
Mus. 620 (pp. 134-161), no. 2 Set 2 in C major for 2 trebles, bass viol and organ (VdGS 2) / John Coprario |
pp. 142-149 | |||||
Mus. 620 (pp. 134-161), no. 3 Set 3 in C major for 2 trebles, bass viol and organ (VdGS 3) / John Coprario |
pp. 150-158 | |||||
Mus. 620 (pp. 134-161), no. 4 Set 4 in C major for 2 trebles, bass viol and organ (VdGS 4): Fantasia (incomplete) / John Coprario |
p. 159 | |||||
Reel 49 | ||||||
Mus. 687 | Mus. 687 | |||||
Mus. 687, no. 1 Miserere mei Deus / Johann Rosenmüller |
pp. 1-10v | |||||
Reel 49 | Reel 49 | Reel 49 | Reel 49 | |||
Mus. 721-4 | Mus. 721 | Mus. 722 | Mus. 723 | Mus. 724 | ||
Mus. 721-4, no. 1 Felice primavera / Sigismondo d'India |
f. 1r | f. 1r | f. 1r | f. 1r | ||
Mus. 721-4, no. 2 Danzan le ninfe / Sigismondo d'India |
f. 1v | f. 1v | f. 1v | f. 1v | ||
Mus. 721-4, no. 3 Fuggio quel disleale / Sigismondo d'India |
f. 2r | f. 2r | f. 2r | f. 2r | ||
Mus. 721-4, no. 4 Quel neo quel vago neo / Sigismondo d'India |
f. 2v | f. 2v | f. 2v | f. 2v | ||
Mus. 721-4, no. 5 Quando quel bianco lino / Sigismondo d'India |
f. 3r | f. 3r | f. 3r | f. 3r | ||
Mus. 721-4, no. 6 Quando tra le dorate nubi / Sigismondo d'India |
f. 3v | f. 3v | f. 3v | f. 3v | ||
Mus. 721-4, no. 7 Riso tu padre e figlio / Sigismondo d'India |
f. 4r | f. 4r | f. 4r | f. 4r | ||
Mus. 721-4, no. 8 Ecco l'onde d'argento / Sigismondo d'India |
f. 4v | f. 4v | f. 4v | f. 4v | ||
Mus. 721-4, no. 9 Sospir che del bel petto / Sigismondo d'India |
f. 5r | f. 5r | f. 5r | f. 5r | ||
Mus. 721-4, no. 10 Amor fatto di neve / Sigismondo d'India |
f. 5v | f. 5v | f. 5v | f. 5v | ||
Mus. 721-4, no. 11 Quando mia cruda sorte / Sigismondo d'India |
f. 6r | f. 6r | f. 6r | f. 6r | ||
Mus. 721-4, no. 12 La dove sono i pargoletti amori / Sigismondo d'India |
ff. 6v-7r | f. 6v | f. 6v | f. 6v | ||
Mus. 721-4, no. 13 Madonna udite / Sigismondo d'India |
f. 7r | f. 7r | f. 7r | f. 7r | ||
Mus. 721-4, no. 14 Cura gelata e ria / Sigismondo d'India |
f. 7v | f. 7v | ff. 7v-8r | f. 7v | ||
Mus. 721-4, no. 15 Hoggi nacque ben mio / Sigismondo d'India |
f. 8r | f. 8r | f. 8r | f. 8r | ||
Mus. 721-4, no. 16 Sovra le verdi chrome / Sigismondo d'India |
f. 8v | f. 8v | f. 8v | f. 8v | ||
Mus. 721-4, no. 17 Io mi sento morir / Sigismondo d'India |
f. 9r | f. 9r | f. 9v | f. 9r | ||
Mus. 721-4, no. 18 La giovinetta scorza / Sigismondo d'India |
f. 9v | f. 9v | f. 9v | f. 9v | ||
Mus. 721-4, no. 19 E l'ombra fresca e lieta / Sigismondo d'India |
f. 10r | f. 10r | f. 10r | f. 10r | ||
Mus. 721-4, no. 20 Le più belle citelle / Sigismondo d'India |
ff. 10v-11r | ff. 10v-11r | ff. 10v-11r | ff. 10v-11r | ||
Reel 49 | Reel 49 | Reel 49 | Reel 49 | |||
Mus. 750-3 | Mus. 750 | Mus. 751 | Mus. 752 | Mus. 753 | ||
Mus. 750-3, no. 1 Would we look up to heaven above |
f. 1r | f. 1r | ||||
Mus. 750-3, no. 2 The sore afflictions we endure (= 'Fantasia La torello/tortorella') / Thomas Morley |
ff. 1v-2r | ff. 1v-2r | ||||
Mus. 750-3, no. 3 Let others mount to honour's chair |
f. 3r | f. 3r | ||||
Mus. 750-3, no. 4 O sing praise unto our maker (= 'Fantasia La rondinella') / Thomas Morley |
ff. 3v-4r | ff. 3v-4r | ||||
Mus. 750-3, no. 5 O what have I deserved (= Gia fu mia dolce speme) / Giovanni Florio |
f. 5r | f. 1r | f. 5r | |||
Mus. 750-3, no. 6 A pilgrim passing on his way (= A sea-nymph sat upon the shore) / Thomas? Wilkinson |
f. 7r | f. 3r | f. 7r | |||
Mus. 750-3, no. 7 How shall a young man (= Love learns by laughing) / Thomas Morley |
f. 9r | f. 5r | f. 9r | |||
Mus. 750-3, no. 8 This world and all that therein is (= This love is but a wanton fit) / Thomas Morley |
f. 9v | f. 5v | f. 9v | |||
Mus. 750-3, no. 9 Rejoice, ye holy martyrs (= Mentr'empia mano tenta) / Matteo Asola |
f. 10r | f. 6r | f. 10r | |||
Mus. 750-3, no. 10 Look up, sad soul (= O stay, sweet love) / John Farmer |
ff. 11v-12r | ff. 7v-8r | ff. 1v-2r | ff. 11v-12r | ||
Mus. 750-3, no. 11 The stately cedar (= Besides a fountain) / Thomas Morley |
ff. 13v-14r | ff. 9v-10r | ff. 3v-4r | ff. 13v-14r | ||
Mus. 750-3, no. 12 O Lord, view my woeful plight (= Veggio dolce mio bene) / Luca Marenzio |
f. 15r | f. 11r | f. 5r | f. 15r | ||
Mus. 750-3, no. 13 Sleep, restless thoughts (= Sleep now, my muse) / George Kirbye |
f. 15v | f. 11v | ff. 5v-6r | f. 15v | ||
Mus. 750-3, no. 14 Frail flesh is mortal (part 1) (= Tutto'l di piango) / Luca Marenzio |
ff. 17v-18r | ff. 13v-14r | ff. 7v-8r | f. 17v | ||
Mus. 750-3, no. 15 Ay me, our time is most part spent (part 2) (= Lasso che pur da l'uno) / Luca Marenzio |
f. 18r | |||||
Mus. 750-3, no. 16 The rock that Moyses struck (part 1) (= Vorria che tu cantassi) / Claude Le Jeune |
f. 19r | f. 15r | ff. 8Ar-9r | f. 19r | ||
Mus. 750-3, no. 17 Those streams of living water (part 2) (= Vorria toccassi sempre) / Claude Le Jeune |
f. 20r | f. 16r | f. 10r | f. 20r | ||
Mus. 750-3, no. 18 The flowing streams of Jordan (part 3) (= Ch'io cante via per accordar) / Claude Le Jeune |
f. 23r | f. 19r | f. 13r | f. 23r | ||
Mus. 750-3, no. 19 Flora, when I behold (= Lady, when I behold) / John Wilbye |
ff. 25v-26r | ff. 21v-22r | ff. 15v-16r | ff. 25v-26r | ||
Mus. 750-3, no. 20 Vain world adieu (= Farewell, my love, I part contented) / George Kirbye |
ff. 27v-28r | ff. 23v-24r | ff. 17v-18r | f. 27v | ||
Mus. 750-3, no. 21 Woe is me, my strength fails (= Woe am I, my heart dies) / George Kirbye |
ff. 29v-30r | ff. 25v-26r | ff. 19v-20r | f. 29v | ||
Mus. 750-3, no. 22 How long shall fading treasure (= Labra amorose e care) / Giovanni Gabrieli |
ff. 31v-32r | ff. 27v-28r | ff. 21v-22r | ff. 31v-32r | ||
Mus. 750-3, no. 23 Winter is ended (= Zefiro torna) / Luca Marenzio |
ff. 33v-34r | ff. 28Av-29r | ff. 23v-24r | ff. 33v-34r | ||
Mus. 750-3, no. 24 Why thould this world's contentment (= Di diletto in diletto) / Antonio Dueto |
ff. 35v-36r | ff. 30v-31r | ff. 25v-26r | ff. 35v-36r | ||
Mus. 750-3, no. 25 How long, Lord, will thy fury (= Madonna, sua merce) / Luca Marenzio |
f. 37r | f. 32r | f. 27r | f. 37r | ||
Mus. 750-3, no. 26 Say God should send on us (= Io mi son giovinetta) / Domenico Maria Ferrabosco |
f. 38r | f. 33r | f. 28r | f. 38r | ||
Mus. 750-3, no. 27 O man, view but the flowers [= Veggio dolce ben mio] / Luca Marenzio |
f. 39r | f. 34r | f. 29r | f. 39r | ||
Mus. 750-3, no. 28 Christe redemptor (part 1) (= Zefiro torna) / Luca Marenzio |
f. 40r | f. 35r | f. 30r | f. 40r | ||
Mus. 750-3, no. 29 Quousque Domine (part 2) (= Ma per me lasso tornaro) / Luca Marenzio |
f. 40v | f. 35v | f. 30v | f. 40v | ||
Mus. 750-3, no. 30 In darksome night (part 1) (= Su'l carro de la mente) / Luca Marenzio |
f. 41v | f. 37r | f. 31v | f. 41v | ||
Mus. 750-3, no. 31 Draw on, bright day (part 2) (= Vedi, ch'egl'ama il suon) / Luca Marenzio |
f. 42r | f. 36v | f. 32r | f. 42r | ||
Mus. 750-3, no. 32 The holy angels (= Vezzosi augelli) / Luca Marenzio |
ff. 37v-38r | ff. 33r-32v | ff. 42v-43r | |||
Mus. 750-3, no. 33 Can any man in country or in city (= O bella man che mi) / Luca Marenzio |
ff. 44v-45r | ff. 38v-39r | ff. 33v-34r | ff. 43v-44r | ||
Mus. 750-3, no. 34 Sin like a cunning lurcher (= La venenosa vista) / Giovanni Croce |
f. 45v | f. 39v | f. 34v | f. 44v | ||
Mus. 750-3, no. 35 O who regards a wounded soul's lamenting (= Chi vuol udir i miei sospir) / Luca Marenzio |
f. 43v | ff. 40v-41r | f. 35v | f. 45v | ||
Mus. 750-3, no. 36 How oft, O Lord (= Dolci son le quadrell'ond'amor punge) / Luca Marenzio |
f. 46v | f. 41v | f. 36v | f. 46v | ||
Mus. 750-3, no. 37 O Lord, my sins are evermore (= Menand'un giorno) / Luca Marenzio |
f. 47r | f. 42r | f. 37r | f. 47r | ||
Mus. 750-3, no. 38 View my hearty contrition (= Era presso al morire) / Giovanni Croce |
f. 49v | f. 44v | f. 41v | f. 49v | ||