Christ Church Music Catalogue
The following materials are available for purchase on microfilm as detailed below. The contents of the reels are believed to be accurate, in so far as the items listed below appear on the reels, but as the catalogue is not yet complete there may be other material in addition. You should check with the publisher of the microfilm before ordering, and Christ Church accepts no liability should the contents differ from those stated here.
|
Series: The music collection of Christ Church, Oxford
Available from: Primary Source Microfilm, Cengage Gale, Cheriton House, Northway, Andover, Hampshire, SP10 5BE, United Kingdom.
Telephone: +44 (0)1264 342832, E-mail: emea.customerservices@cengage.com.
| Mus. 92 | Reel 10 | |
The full details of the contents of these reels are shown below, with the material of interest highlighted in red in the left margin. The reels which you would need to obtain to acquire this material are highlighted in pink. These reels may also contain some part-books from other sets. If further reels of film are required to complete these other sets, these are also shown below so that you can judge whether or not they are of interest.
| Reel 10 | |||
|---|---|---|---|
| Mus. 87 | Mus. 87 | ||
| Mus. 87, no. 1 Chloris sighed and sang and wept / Alfonso Balls? |
f. 1r | ||
| Mus. 87, no. 2 Come you pretty false-ey'd wanton / Thomas Campion |
f. 1v | ||
| Mus. 87, no. 3 Whither away, my sweetest dearest? |
f. 1v | ||
| Mus. 87, no. 4 If, when I die, to Hell's eternal shade |
f. 2r | ||
| Mus. 87, no. 5 Hear my prayer, O Lord / Thomas(?) Wilkinson |
ff. 2v-3r | ||
| Mus. 87, no. 6 My strength hath failed |
f. 3r | ||
| Mus. 87, no. 7 Drop, drop, golden showers |
ff. 3v-4r | ||
| Mus. 87, no. 8 Have you seen the white lily grow |
ff. 4v-5r | ||
| Mus. 87, no. 9 Care, charming sleep |
ff. 5v-6r | ||
| Mus. 87, no. 10 Cease, O cease this hum of grieving |
f. 6v | ||
| Mus. 87, no. 11 As life what is so sweet / William Webb |
f. 7r | ||
| Mus. 87, no. 12 Go, happy heart, for thou shalt lie / John Wilson |
ff. 7v-8r | ||
| Mus. 87, no. 13 Sleep, sleep, though grief torments thy body |
ff. 8v-9r | ||
| Mus. 87, no. 14 Eyes, gaze no more, as yet you may in time |
f. 9v | ||
| Mus. 87, no. 15 Away, good night, and I will call thee kind |
f. 10r | ||
| Mus. 87, no. 16 Sleep, sleep, faire virgin / John Wilson |
f. 10v | ||
| Mus. 87, no. 17 Woods, rocks and mountaines / Robert Johnson (ii) |
f. 11r | ||
| Mus. 87, no. 18 Like to the damask rose / Henry Lawes |
ff. 11v-12r | ||
| Mus. 87, no. 19 I prithee leave, love, me no more |
f. 12v | ||
| Mus. 87, no. 20 Shall I weep or shall I sing? |
f. 13r | ||
| Mus. 87, no. 21 Music, thou soul of Heaven |
ff. 13v-14r | ||
| Mus. 87, no. 22 Gently, gently, prithee, Time / C. P. |
ff. 14v-15r | ||
| Mus. 87, no. 23 O let sweet slumber dreams |
ff. 15v-16r | ||
| Mus. 87, no. 24 To those whose bosoms harbours woes |
ff. 16v-17r | ||
| Mus. 87, no. 25 Apollo once a year may merry be |
ff. 17v-18r | ||
| Mus. 87, no. 26 Express thy much imperfect skill, rude Muse |
f. 19r | ||
| Reel 10 | |||
| Mus. 88 | Mus. 88 | ||
| Mus. 88, no. 1 Preserve me, O God (N.B. {Mus. 88, no. 39} = another copy of opening section) / John Holmes |
pp. 1-4 | ||
| Mus. 88, no. 2 Untexted sketches (treble and bass) for a vocal work in d minor |
pp. 2a-2b | ||
| Mus. 88, no. 3 Deliver me, O God / John Bull |
pp. 6-7 | ||
| Mus. 88, no. 4 All laud and praise / Thomas Weelkes |
pp. 8-9 | ||
| Mus. 88, no. 5 Short Service: M/N / William Byrd |
pp. 11-13 | ||
| Mus. 88, no. 6 Stave 1: fragment of Litany; see {Mus. 88, no. 12} / Thomas Tallis (?) |
p. 14 | ||
| Mus. 88, no. 7 O praise the Lord, all ye heathen / Thomas Tallis (?) |
p. 14 | ||
| Mus. 88, no. 8 Short Service: K/C / John Farrant (i) |
pp. 15-16 | ||
| Mus. 88, no. 9 O how happy a thing it is |
pp. 17-19 | ||
| Mus. 88, no. 10 An earthly tree / Thomas Weelkes |
pp. 19-20 | ||
| Mus. 88, no. 11 First Service: M/N / Thomas Tomkins |
pp. 21-24 | ||
| Mus. 88, no. 12 Litany (opening; contd. as {Mus. 88, no. 14} and {Mus. 88, no. 30}) / Thomas Tallis |
p. 24 | ||
| Mus. 88, no. 13 Short Service: M/N / Orlando Gibbons |
pp. 25-28 | ||
| Mus. 88, no. 14 Litany (contd. from {Mus. 88, no. 12}, and contd. as {Mus. 88, no. 30}) / Thomas Tallis |
p. 28 | ||
| Mus. 88, no. 15 First Service: K/C / Thomas Weelkes |
pp. 29-31 | ||
| Mus. 88, no. 16 Short Service: T / John Farrant (i) |
pp. 31-34 | ||
| Mus. 88, no. 17 Lord, thou art become / John Silver |
p. 35 | ||
| Mus. 88, no. 18 Short Service: T / William Byrd |
pp. 36-38 | ||
| Mus. 88, no. 19 O hear my prayer, Lord / Nathaniel Giles |
pp. 39-41 | ||
| Mus. 88, no. 20 O all ye nations (fragment of treble part, deleted) |
p. 42 | ||
| Mus. 88, no. 21 Dorian Service: S / Thomas Tallis |
p. 42 | ||
| Mus. 88, no. 22 Stave 6: O all ye works of God the Lord (opening of treble part only, in F major; reworked as {Mus. 88, no. 23}, {Mus. 88, no. 42} and {Mus. 88, no. 46}) |
p. 42 | ||
| Mus. 88, no. 23 Stave 8: O all ye works of God the Lord (opening of treble part only, in C major; reworked as {Mus. 88, no. 42} and {Mus. 88, no. 46}) |
p. 42 | ||
| Mus. 88, no. 24 O give thanks (= {Mus. 88, no. 28}) / John Mundy |
pp. 43-44 | ||
| Mus. 88, no. 25 Benedicite / Farrant |
pp. 45-46 | ||
| Mus. 88, no. 26 High Service: M/N / Richard Farrant |
pp. 47-49 | ||
| Mus. 88, no. 27 Rejoice in the Lord (opening only, abandoned; = {Mus. 88, no. 48}) / Thomas Weelkes |
p. 50 | ||
| Mus. 88, no. 28 O give thanks (incomplete at end; = {Mus. 88, no. 24}) / John Mundy |
pp. 51-52 | ||
| Mus. 88, no. 29 Give almes of thy goods / Christopher Tye |
p. 53 | ||
| Mus. 88, no. 30 Litany (contd. from {Mus. 88, no. 12} and {Mus. 88, no. 14}) / Thomas Tallis |
p. 54 | ||
| Mus. 88, no. 31 Have mercy on us, Lord |
pp. 55-57 | ||
| Mus. 88, no. 32 Dorian Service: T/K/C / Thomas Tallis |
pp. 57-62 | ||
| Mus. 88, no. 33 First Service: M/N / Thomas Weelkes |
pp. 63-66 | ||
| Mus. 88, no. 34 Out of the deep [II] / Thomas Morley |
pp. 67-68 | ||
| Mus. 88, no. 35 O Lord the maker of all thing / William Mundy |
p. 69 | ||
| Mus. 88, no. 36 I call and cry (= O sacrum convivium) / Thomas Tallis |
pp. 73-74 | ||
| Mus. 88, no. 37 Deliver me from mine enemies / Robert Parsons (i) |
pp. 75-76 | ||
| Mus. 88, no. 38 Third preces and responses (deleted; = {Mus. 88, no. 47}) / William Byrd |
p. 77 | ||
| Mus. 88, no. 39 Preserve me, O God (= another copy of the opening section of {Mus. 88, no. 1}) / John Holmes |
p. 78 | ||
| Mus. 88, no. 40 Dorian Service: M/N / Thomas Tallis |
pp. 79-81 | ||
| Mus. 88, no. 41 Second Evening Service in G: M/N / John Holmes |
pp. 82-87 | ||
| Mus. 88, no. 42 O all ye works of God the Lord (derived from {Mus. 88, no. 22} and {Mus. 88, no. 23}; here in F major; see also {Mus. 88, no. 46}) |
p. 87 | ||
| Mus. 88, no. 43 O how glorious art thou / Robert White |
p. 89 | ||
| Mus. 88, no. 44 Haste thee, O God / John Sheppard |
pp. 95-96 | ||
| Mus. 88, no. 45 O Lord of whom I do depend / John Holmes |
pp. 98-100 | ||
| Mus. 88, no. 46 O all ye works of God the Lord (derived from {Mus. 88, no. 22}, {Mus. 88, no. 23} and {Mus. 88, no. 42}; here in C major) |
p. 100 | ||
| Mus. 88, no. 47 Third preces and responses (= {Mus. 88, no. 38}) / William Byrd |
pp. 103-104 | ||
| Mus. 88, no. 48 Rejoice in the Lord (complete copy of {Mus. 88, no. 27}) / Thomas Weelkes |
p. 106 | ||
| Reel 10 | |||
| Mus. 89 | Mus. 89 | ||
| Mus. 89, no. 1 Non nobis Domine |
ii | ||
| Mus. 89, no. 2 Toccata (Brookes 1132) / William Brown |
p. 1 | ||
| Mus. 89, no. 3 Verset in canzona style (Brookes 176) |
p. 2 | ||
| Mus. 89, no. 4 Verset in canzona style (Brookes 177) |
pp. 2-3 | ||
| Mus. 89, no. 5 Verset in canzona style (Brookes 178) |
p. 3 | ||
| Mus. 89, no. 6 Verset in canzona style (Brookes 179) |
p. 4 | ||
| Mus. 89, no. 7 Verset on an unidentified plainchant (Brookes 180) |
pp. 4-5 | ||
| Mus. 89, no. 8 Kyrie (Brookes 769a-c) |
pp. 5a-6a | ||
| Mus. 89, no. 9 Gloria de B.V.M (Brookes 772g,f,h-i) |
pp. 6a-7a | ||
| Mus. 89, no. 10 Kyrie (Brookes 770a-c) |
pp. 7b-9 | ||
| Mus. 89, no. 11 Gloria (Brookes 770d-j) |
pp. 10-14 | ||
| Mus. 89, no. 12 Sanctus (Brookes 770k-m) |
pp. 15-16 | ||
| Mus. 89, no. 13 Kyrie de B.V.M. (Brookes 772a-e) |
pp. 16-21 | ||
| Mus. 89, no. 14 Preludium (Brookes 882) |
p. 17 | ||
| Mus. 89, no. 15 Veni Sancte Spiritus (MB 75 no. 25) / Peter Philips |
pp. 22-27 | ||
| Mus. 89, no. 16 Missa in Tempore Paschali (Brookes 776a-t) |
pp. 28-38 | ||
| Mus. 89, no. 17 Missa duplex (Brookes 775a-p) |
pp. 39-46 | ||
| Mus. 89, no. 18 Missa dominicalis (Brookes 774a-s) |
pp. 47-57 | ||
| Mus. 89, no. 19 Missa de B.V.M. (Brookes 773a-p) |
pp. 57-65 | ||
| Mus. 89, no. 20 Kyrie (Brookes 771a-e) |
pp. 65-68 | ||
| Mus. 89, no. 21 Christe redemptor omnium, ex Patre (Brookes 648a-e) |
pp. 69-71 | ||
| Mus. 89, no. 22 A solis ortus cardine (Brookes 371a-e) |
pp. 71-73 | ||
| Mus. 89, no. 23 Quodcumque in orbe (Brookes 644a-b) |
p. 74 | ||
| Mus. 89, no. 24 Egregie Doctor Paule (Brookes 417a-b) |
p. 75 | ||
| Mus. 89, no. 25 Ave maris stella (Brookes 377a-d) |
pp. 76-78 | ||
| Mus. 89, no. 26 Ad coenam agni providi (Brookes 290a-e) |
pp. 79-81 | ||
| Mus. 89, no. 27 Jesu nostra redemptio (Brookes 667a-e) |
pp. 82-84 | ||
| Mus. 89, no. 28 Vexilla regis (Brookes 1052a-d) |
pp. 84-86 | ||
| Mus. 89, no. 29 Veni Creator Spiritus (Brookes 1046a-e) |
pp. 86-88 | ||
| Mus. 89, no. 30 O lux beata Trinitas (Brookes 832a-b) |
pp. 89-90 | ||
| Mus. 89, no. 31 Pange lingua gloriosi (Brookes 840a-e) |
pp. 90-93 | ||
| Mus. 89, no. 32 Ut queant laxis (Brookes 1045a-d) |
pp. 94-95 | ||
| Mus. 89, no. 33 Aurea luce et decore (Brookes 643a-c) |
pp. 96-97 | ||
| Mus. 89, no. 34 Pater superni luminis (Brookes 646a-c) |
pp. 97-98 | ||
| Mus. 89, no. 35 Quicumque Christum quaeritis (Brookes 654a-b) |
p. 99 | ||
| Mus. 89, no. 36 Tibi, Christe, splendor Patris (Brookes 1014a-c) |
pp. 100-101 | ||
| Mus. 89, no. 37 Christe redemptor omnium, conserva (Brookes 645a-d) |
pp. 101-103 | ||
| Mus. 89, no. 38 Exultet coelum laudibus (Brookes 415a-c) |
pp. 103-104 | ||
| Mus. 89, no. 39 Deus tuorum militum (Brookes 493a-c) |
pp. 105-106 | ||
| Mus. 89, no. 40 Sanctorum meritis (Brookes 953a-d) |
pp. 106-108 | ||
| Mus. 89, no. 41 Lucis creator optime (Brookes 711a-c) |
pp. 108-109 | ||
| Mus. 89, no. 42 Iste confessor (Brookes 664a-d) |
pp. 110-111 | ||
| Mus. 89, no. 43 Urbs Jerusalem beata (Brookes 1044a-d) |
pp. 112-113 | ||
| Mus. 89, no. 44 Fantasia for the Elevation (Brookes 521) |
p. 114 | ||
| Mus. 89, no. 45 Fantasia for the Elevation (Brookes 522) |
pp. 115-117 | ||
| Mus. 89, no. 46 Fantasia for the Elevation (Brookes 523) |
pp. 118-119 | ||
| Mus. 89, no. 47 Fantasia for the Elevation 'por le cornette' (Brookes 524) |
pp. 119-120 | ||
| Mus. 89, no. 48 Magnificat primi toni (Brookes 716a-f) |
pp. 121-125 | ||
| Mus. 89, no. 49 Magnificat secundi toni (Brookes 717a-f) |
pp. 125-128 | ||
| Mus. 89, no. 50 Magnificat tertii toni (Brookes 718a-e) |
pp. 129-131 | ||
| Mus. 89, no. 51 Magnificat quarti toni (Brookes 719a-e) |
pp. 132-134 | ||
| Mus. 89, no. 52 Magnificat quinti toni (Brookes 720a-f) |
pp. 134-137 | ||
| Mus. 89, no. 53 Magnificat sexti toni (Brookes 721a-f) |
pp. 138-140 | ||
| Mus. 89, no. 54 Magnificat septimi toni (Brookes 722a-e) |
pp. 141-143 | ||
| Mus. 89, no. 55 Magnificat octavi toni (Brookes 723a-f) |
pp. 143-147 | ||
| Mus. 89, no. 56 Salve regina (Brookes 950a-e) |
pp. 147-149 | ||
| Mus. 89, no. 57 Alma redemptoris mater (Brookes 307a-d) |
pp. 150-152 | ||
| Mus. 89, no. 58 Regina caeli (Brookes 307a-c) |
pp. 152-154 | ||
| Mus. 89, no. 59 Ave regina caelorum (Brookes 378a-c) |
pp. 155-156 | ||
| Mus. 89, no. 60 Fantasia secundi toni (Brookes 525) |
pp. 157-160 | ||
| Mus. 89, no. 61 Fantasia tertii toni (Brookes 526) |
pp. 160-163 | ||
| Mus. 89, no. 62 Fantasia quarti toni (Brookes 527) |
pp. 163-166 | ||
| Mus. 89, no. 63 Fantasia sexti toni (Brookes 528) |
pp. 166-169 | ||
| Mus. 89, no. 64 Fantasia septimi toni (Brookes 529) |
pp. 169-173 | ||
| Mus. 89, no. 65 Fantasia octavi toni (Brookes 530) |
pp. 173-176 | ||
| Mus. 89, no. 66 Fantasia chromatica (Brookes 546) |
pp. 176-180 | ||
| Mus. 89, no. 67 Salve regina (Brookes 951a-e) |
pp. 181-191 | ||
| Mus. 89, no. 68 Hexachord fantasia (Brookes 548) |
pp. 191-199 | ||
| Mus. 89, no. 69 Fantasia octavi toni (Brookes 1131) / William Brown |
pp. 200-206 | ||
| Mus. 89, no. 70 Intonation prelude 1 (Brookes 883) |
p. 207 | ||
| Mus. 89, no. 71 Intonation prelude 2 (Brookes 884) |
p. 207 | ||
| Mus. 89, no. 72 Intonation prelude 3 (Brookes 885) |
p. 207 | ||
| Mus. 89, no. 73 Intonation prelude 4 (Brookes 886) |
p. 208 | ||
| Mus. 89, no. 74 Intonation prelude 5 (Brookes 887) |
p. 208 | ||
| Mus. 89, no. 75 Intonation prelude 6 (Brookes 888) |
p. 208 | ||
| Mus. 89, no. 76 Intonation prelude 7 (Brookes 889) |
p. 209 | ||
| Mus. 89, no. 77 Intonation prelude 8 (Brookes 890) |
p. 209 | ||
| Mus. 89, no. 78 Intonation prelude 9 (Brookes 891) |
p. 210 | ||
| Mus. 89, no. 79 Intonation prelude 10 (Brookes 892) |
p. 210 | ||
| Mus. 89, no. 80 Intonation prelude 11 (Brookes 893) |
p. 211 | ||
| Mus. 89, no. 81 Intonation prelude 12 (Brookes 894) |
p. 211 | ||
| Mus. 89, no. 82 Intonation prelude 13 (Brookes 895) |
pp. 211-212 | ||
| Mus. 89, no. 83 Intonation prelude 14 (Brookes 896) |
p. 212 | ||
| Mus. 89, no. 84 Intonation prelude 15 (Brookes 897) |
p. 212 | ||
| Mus. 89, no. 85 Intonation prelude 16 (Brookes 898) |
p. 213 | ||
| Mus. 89, no. 86 Magnificat primi toni (Brookes 724a-f) |
pp. 213-218 | ||
| Mus. 89, no. 87 Magnificat secundi toni (Brookes 725a-f) |
pp. 218-223 | ||
| Mus. 89, no. 88 Magnificat tertii toni (Brookes 726a-f) |
pp. 223-228 | ||
| Mus. 89, no. 89 Magnificat quarti toni (Brookes 727a-f) |
pp. 228-234 | ||
| Mus. 89, no. 90 Magnificat quinti toni (Brookes 728a-f) |
pp. 234-240 | ||
| Mus. 89, no. 91 Magnificat sexti toni (Brookes 729a-f) |
pp. 240-245 | ||
| Mus. 89, no. 92 Magnificat septimi toni (Brookes 730a-f) |
pp. 245-251 | ||
| Mus. 89, no. 93 Magnificat octavi toni (Brookes 731a-f) |
pp. 251-258 | ||
| Mus. 89, no. 94 Fantasia primi toni (Brookes 531) |
pp. 259-262 | ||
| Mus. 89, no. 95 Fantasia secundi toni (Brookes 532) |
pp. 263-266 | ||
| Mus. 89, no. 96 Fantasia tertii toni (Brookes 533) |
pp. 267-270 | ||
| Mus. 89, no. 97 Fantasia quarti toni (Brookes 534) |
pp. 270-274 | ||
| Mus. 89, no. 98 Fantasia quinti toni (Brookes 535) |
pp. 275-278 | ||
| Mus. 89, no. 99 Fantasia sexti toni (Brookes 536) |
pp. 279-282 | ||
| Mus. 89, no. 100 Fantasia septimi toni (Brookes 537) |
pp. 283-287 | ||
| Mus. 89, no. 101 Fantasia octavi toni (Brookes 538) |
pp. 288-292 | ||
| Mus. 89, no. 102 Fantasia octavi toni (Brookes 539) |
pp. 292-295 | ||
| Mus. 89, no. 103 Magnificat sexti toni (Brookes 732a-f) |
pp. 295-300 | ||
| Mus. 89, no. 104 Fantasia tertii toni (Brookes 540) |
pp. 300-301 | ||
| Mus. 89, no. 105 Fantasia secundi toni (Brookes 541) |
pp. 301-302 | ||
| Mus. 89, no. 106 Fantasia octavi toni (Brookes 542) |
pp. 302-303 | ||
| Mus. 89, no. 107 Prelude (MB 20 no. 2) / Orlando Gibbons |
pp. 304-306 | ||
| Mus. 89, no. 108 Fantasia (Brookes 543) |
pp. 307-311 | ||
| Mus. 89, no. 109 Fantasia (Brookes 544) |
pp. 312-313 | ||
| Mus. 89, no. 110 Victimae paschali laudes (Brookes 1055a-e) |
pp. 314-315 | ||
| Mus. 89, no. 111 Veni Sancte Spiritus (Brookes 1048a-e) |
pp. 316-317 | ||
| Mus. 89, no. 112 Lauda Sion Salvatorem (Brookes 700a-m) |
pp. 318-321 | ||
| Mus. 89, no. 113 Fantasia (CornetCKM no. 14) / Peeter Cornet? |
pp. 322-325 | ||
| Mus. 89, no. 114 Regina caeli (CornetCKM no. 9) / Peeter Cornet |
pp. 326-335 | ||
| Mus. 89, no. 115 Fantasia ottavi toni (CornetCKM no. 7) / Peeter Cornet |
pp. 335-341 | ||
| Mus. 89, no. 116 Te Deum (incomplete at end; CornetCKM no. 16) / Peeter Cornet? |
pp. 341-345 | ||
| Reel 10 | Reel 10 | ||
| Mus. 90-1 | Mus. 90 | Mus. 91 | |
| Mus. 90-1, no. 1 Five binary-form movements in a minor; treble and bass / John Dowdon |
1 | 1 | |
| Mus. 90-1, no. 2 Five binary-form movements in A major and D major; bass only |
2-3r | ||
| Mus. 90-1, no. 3 Three binary-form movements in B flat major; treble and bass / John Dowdon |
3v | 3v | |
| Mus. 90-1, no. 4 Three binary-form movements in F major; bass only / John Dowdon |
4r | ||
| Mus. 90-1, no. 5 Three binary-form movements in G major; treble only / John Dowdon |
4v | ||
| Mus. 90-1, no. 6 An antique tune (bass only) / 'Mr Pike' |
4v | ||
| Mus. 90-1, no. 7 Two binary-form movements in g minor; treble and bass / John Dowdon |
5r | 5r | |
| Mus. 90-1, no. 8 Binary-form movement in a minor; bass only |
5r | ||
| Mus. 90-1, no. 9 Two binary-form movements in g minor; treble only; possibly part of {Mus. 90-1, no. 10} |
5v | ||
| Mus. 90-1, no. 10 Two binary-form movements in g minor; bass only; possibly part of {Mus. 90-1, no. 9} / 'Mr Pike' |
5v | ||
| Mus. 90-1, no. 11 Binary-form movement in g minor; bass only / John Dowdon |
5v | ||
| Mus. 90-1, no. 12 Five binary-form movements in B flat major; treble and bass / 'Mr Smyth' |
6r | 6r | |
| Mus. 90-1, no. 13 Seven movements in g minor; treble and bass; at end, 'Ricut Sute of Ayers' / Edward Judd |
6v-7r | 6v-7r | |
| Mus. 90-1, no. 14 Binary-form movement G major; treble and bass / 'Mr Hall' |
7r | 7r | |
| Mus. 90-1, no. 15 Three movements in B flat major; treble and bass / Edward Judd |
7v | 7v | |
| Mus. 90-1, no. 16 ?'Battle' suite in B flat major; treble and bass (movements include 'Preludium', 'The Releif', 'Trumpet & bels' and 'The seamans dance') / Edward Judd |
7v-8v | 7v-8v | |
| Mus. 90-1, no. 17 Mr Dowdon's two fourths and a fifth (binary-form movement in D major; bass only) / John Dowdon |
9r | ||
| Mus. 90-1, no. 18 Six binary-form movements in a minor; treble and bass (possibly continues as {Mus. 90-1, no. 19}) / 'Mr Oldridge' |
9v-10r | 9v-10r | |
| Mus. 90-1, no. 19 Three binary-form movements in a minor; treble and bass (possibly continued from {Mus. 90-1, no. 18}) / 'Mr Alderidg' |
10v | 10v | |
| Mus. 90-1, no. 20 Three binary-form movements in G major; bass only / John Dowdon |
11r | ||
| Mus. 90-1, no. 21 Four binary-form movements in g minor; treble and bass / 'Mr Oldridg' |
11v-12r | 11v-12r | |
| Mus. 90-1, no. 22 Three binary-form movements in G major; treble and bass / John Dowdon |
12v | 12v | |
| Mus. 90-1, no. 23 24 variations on a ground, in g minor; treble and bass / 'Mr Withy' |
13v-14r | 13v-14r | |
| Mus. 90-1, no. 24 Eight binary-form movements in B flat major; treble and bass |
14v-15r | 14v-15r | |
| Mus. 90-1, no. 25 Four binary-form movements in C major; treble and bass / 'Mr Oldridge' |
16r-17r | 16r-17r | |
| Mus. 90-1, no. 26 Sketch of a fugue a4 in D major (opening only, in short score) / Richard Goodson (ii) |
18v-19r | ||
| Mus. 90-1, no. 27 Drafts of passages for an instrumental movement a5 in C major, in open score / Richard Goodson (ii) |
17v-19v | ||
| Mus. 90-1, no. 28 Tell me, O tell me, some powers that are kind (bass only) / William? King |
32v | ||
| Mus. 90-1, no. 29 We must assemble by a sacrifice (text from Charles Davenant's 'Circe'; untexted treble and bass) / 'W. Sp.' |
32r | 32r | |
| Mus. 90-1, no. 30 Come, every demon (text from Charles Davenant's 'Circe'; untexted treble and bass) / 'W. Sp.' |
31v | 31v | |
| Mus. 90-1, no. 31 Lovers who to their first embraces go / Ritornello (text from Charles Davenant's 'Circe'; untexted treble and bass) / 'W. Sp.' |
30r | 31r | |
| Mus. 90-1, no. 32 Last night when all the village slept (untexted bass) |
30v | ||
| Mus. 90-1, no. 33 Young Phaon strove the bliss to taste (text from Charles Davenant's 'Circe'; untexted bass) |
30r | ||
| Mus. 90-1, no. 34 Maids in wishes stretch and pant (text from Charles Davenant's 'Circe'; untexted bass) |
29v | ||
| Mus. 90-1, no. 35 Untexted bass in B flat major |
29r | ||
| Mus. 90-1, no. 36 Draft of passage in A major for two bass instruments / Richard Goodson (ii) |
29r | ||
| Mus. 90-1, no. 37 Draft of passage a4 in C major, in open score / Richard Goodson (ii) |
28r | ||
| Mus. 90-1, no. 38 Sketch of a fugue a4 in D major (opening only, in open score; copied with volume inverted) / Richard Goodson (ii) |
26v | ||
| Mus. 90-1, no. 39 Dialogue between Grumpo and the Witch / ?Francis Pigott |
26r-23r | 27r-24r | |
| Mus. 90-1, no. 40 Dialogue between Love, Hymen, Fortune and Time / ?Francis Pigott |
22v-22r | 24r-23v | |
| Mus. 90-1, no. 41 Now, now the sight's done (untexted bass) |
23r | ||
| Mus. 90-1, no. 42 A cruel bloody fate (untexted bass) |
23r | ||
| Mus. 90-1, no. 43 Hail to the myrtle shade (untexted bass) |
23r | ||
| Mus. 90-1, no. 44 Draft of movement a3-5 in C major, in short score / Richard Goodson (ii) |
22v-20v | ||
| Reel 10 | |||
| Mus. 92 | Mus. 92 | ||
| Mus. 92, no. 1 The ewe and three lambs (Brookes 512) |
f. 1r | ||
| Mus. 92, no. 2 A fig for care (Brookes 556) |
f. 1v | ||
| Mus. 92, no. 3 Alman (MB 20 no. 34) / Orlando Gibbons |
f. 2r | ||
| Mus. 92, no. 4 Greensleeves (Brookes 612) |
f. 3r | ||
| Mus. 92, no. 5 The prince's masque (Brookes 311; Sabol 189) |
f. 4r | ||
| Mus. 92, no. 6 No boy's play ('Cupid') (Brookes 818) |
f. 5r | ||
| Mus. 92, no. 7 Primrose hill (Brookes 903) |
f. 5v | ||
| Mus. 92, no. 8 The Lord Zouche's mistress (Brookes 706) |
f. 6r | ||
| Mus. 92, no. 9 The mock nightingale (Brookes 791; incomplete at end) |
f. 6v | ||
| Mus. 92, no. 10 Bluecap for me (Brookes 393) |
f. 7r | ||
| Mus. 92, no. 11 Do then, do then (Brookes 497) |
f. 8r | ||
| Mus. 92, no. 12 Lovers, give me leave (words only, deleted) |
f. 8v | ||
| Mus. 92, no. 13 Thou art pretty but inconstant (text-underlay only, incomplete) |
f. 9r | ||
| Mus. 92, no. 14 Tap up all your strong beer (= The prince's masque; Brookes 1838; Sabol 188) / Robert Johnson (ii) |
f. 10r | ||
| Mus. 92, no. 15 Masque (Brookes 2335; Sabol 194) / Thomas Warwick |
f. 10v | ||
| Mus. 92, no. 16 Pudding (= Courant; Brookes 1797) / Thomas Holmes |
f. 11r | ||
| Mus. 92, no. 17 The Amazons (Brookes 365) |
f. 11v | ||
| Mus. 92, no. 18 Hyde Park (Brookes 638) |
f. 12r | ||
| Mus. 92, no. 19 The merry milkmaids (Brookes 783; Sabol 405) |
f. 13r | ||
| Mus. 92, no. 20 Saraband (Brookes 1798) / Thomas Holmes |
f. 14r | ||
| Mus. 92, no. 21 The witches (Brookes 1089; Sabol 248) |
ff. 15r-v | ||
| Mus. 92, no. 22 (Aborted copy of {Mus. 92, no. 23}, in different key and note-values) |
f. 16r | ||
| Mus. 92, no. 23 The Countess of Portland's delight [Brookes 1479] / S.C. |
f. 16r | ||
| Mus. 92, no. 24 (Bass line; ?divisions on {Mus. 92, no. 23}) |
f. 16r | ||
| Mus. 92, no. 25 Courant (Brookes 451) |
f. 16v | ||
| Mus. 92, no. 26 Courant (Brookes 452) |
f. 17r | ||
| Mus. 92, no. 27 (Table of solmization syllables 'for the virginall') |
f. 23r | ||
| Mus. 92, no. 28 (Scales and fingering exercises) |
f. 22v | ||
| Mus. 92, no. 29 Saraband (Brookes 1885) / William Lawes |
f. 22r | ||
| Mus. 92, no. 101 (Short sketch) / Christopher Gibbons |
f. 8v | ||
| Mus. 92, no. 102 Above the stars (draft; abandoned at end; Brookes 1693) / Christopher Gibbons |
ff. 18v-19v | ||
| Mus. 92, no. 103 (Sketches, possibly part of {Mus. 92, no. 102}) / Christopher Gibbons |
f. 20r | ||
| Mus. 92, no. 104 (Draft of ?anthem; Brookes 184) / Christopher Gibbons |
ff. 27r-26v | ||
| Mus. 92, no. 105 (Draft bass line) / Christopher Gibbons |
f. 26r | ||
| Mus. 92, no. 106 (Fair copy of an extended bass line; 'Amen' at end) / Christopher Gibbons |
ff. 26r-25v | ||
| Mus. 92, no. 107 (Draft of ?verse anthem; abandoned at end) / Christopher Gibbons |
ff. 25r-24r | ||
| Mus. 92, no. 201 Jig (Brookes 182) |
f. 7v | ||
| Mus. 92, no. 202 Jig (Brookes 183) |
f. 12v | ||
| Reel 10 | |||
| Mus. 94 | Mus. 94 | ||
| Mus. 94, no. 1 Service in F: T/J/S/K/C/M/N / John Goldwin |
pp. 1-23 | ||
| Mus. 94, no. 2 I will dwell in thy tabernacle / John Goldwin |
pp. 1*-5 | ||
| Mus. 94, no. 3 O Lord my God, great are thy wondrous works / John Goldwin |
pp. 5-8 | ||
| Mus. 94, no. 4 I am well pleased / John Goldwin |
pp. 9-13 | ||
| Mus. 94, no. 5 Lord, thou hast been our refuge / John Goldwin |
pp. 13-19 | ||
| Mus. 94, no. 6 O Lord God of hosts / John Goldwin |
pp. 19-24 | ||
| Mus. 94, no. 7 Praise the Lord, ye servants / John Goldwin |
pp. 25-30 | ||
| Mus. 94, no. 8 Give the king thy judgements / John Goldwin |
pp. 31-37 | ||
| Mus. 94, no. 9 O praise the Lord, for it is a good thing / John Goldwin |
pp. 38-43 | ||
| Mus. 94, no. 10 Unto thee have I cried, O Lord / John Goldwin |
pp. 44-49 | ||
| Mus. 94, no. 11 Thy way, O God, is holy / John Goldwin |
pp. 49-56 | ||
| Mus. 94, no. 12 Ascribe unto the Lord / John Goldwin |
pp. 57-62 | ||
| Mus. 94, no. 13 Ponder my words, O Lord / John Goldwin |
pp. 63-72 | ||
| Mus. 94, no. 14 O give thanks unto the Lord / John Goldwin |
pp. 73-78 | ||
| Mus. 94, no. 15 I will give thanks unto thee / John Goldwin |
pp. 78-87 | ||
| Mus. 94, no. 16 I will magnify thee, O Lord / John Goldwin |
pp. 87-94 | ||
| Mus. 94, no. 17 Behold, I bring you glad tidings / John Goldwin |
pp. 95-104 | ||
| Mus. 94, no. 18 Praise the Lord, O my soul / John Goldwin |
pp. 105-111 | ||
| Mus. 94, no. 19 Bow down thine ear, O Lord / John Goldwin |
pp. 112-115 | ||
| Mus. 94, no. 20 Hear me, O God, in the multitude / John Goldwin |
pp. 115-120 | ||
| Mus. 94, no. 21 O Lord God of hosts / John Goldwin |
pp. 120-125 | ||
| Mus. 94, no. 22 Libera me, Deus, quoniam intraverunt / John Goldwin |
pp. 125-132 | ||
| Reel 10 | |||
| Mus. 96 | Mus. 96 | ||
| Mus. 96, no. 1 Frà le spine offre gl'allori (from 'Rodrigo'; HWV 5 (14)) / George Frideric Handel |
ff. 1r-4r | ||
| Mus. 96, no. 2 Conosco che mi piaci (from 'Clori, Tirsi e Fileno', HWV 96 (5)) / George Frideric Handel |
ff. 4v-6v | ||