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Microfilm copies of Mus. 361, no. 50

The following materials are available for purchase on microfilm as detailed below. The contents of the reels are believed to be accurate, in so far as the items listed below appear on the reels, but as the catalogue is not yet complete there may be other material in addition. You should check with the publisher of the microfilm before ordering, and Christ Church accepts no liability should the contents differ from those stated here.

Title:	Two movements in B flat major	[Two movements in B flat major]
Composer:	'Mr Douden'	Mr Douden

Series: The music collection of Christ Church, Oxford
Available from: Primary Source Microfilm, Cengage Gale, Cheriton House, Northway, Andover, Hampshire, SP10 5BE, United Kingdom.
Telephone: +44 (0)1264 342832, E-mail: emea.customerservices@cengage.com.

Mus. 361

Reel 11

The full details of the contents of these reels are shown below, with the material of interest highlighted in red in the left margin. The reels which you would need to obtain to acquire this material are highlighted in pink. These reels may also contain some part-books from other sets. If further reels of film are required to complete these other sets, these are also shown below so that you can judge whether or not they are of interest.

Series: The music collection of Christ Church, Oxford (Primary Source Microfilm)


	Reel 11
Mus. 350	Mus. 350
Mus. 350, no. 1 What madness it is to give over our drinking	p. 1
Mus. 350, no. 2 At dead low ebb of night / Henry Lawes	pp. 2-5
Mus. 350, no. 3 How well doth this harmonious meeting prove / Pelham Humfrey	pp. 5-7
Mus. 350, no. 4 Troppo'è ver' quel ch'io credo	p. 8
Mus. 350, no. 5 Embarquons nous sur la terre	p. 9
Mus. 350, no. 6 O, the sad day, when friends shall shake their heads / Pelham Humfrey	pp. 10-12
Mus. 350, no. 7 Fill the bowl with rosy wine / Henry Hall (i)	pp. 12-13
Mus. 350, no. 8 O anima mea suspira / Bonifazio Graziani	pp. 14-21
Mus. 350, no. 9 O dulcis Jesu, O amor cordis mei / Bonifazio Graziani	pp. 22-27
Mus. 350, no. 10 Per asperos mundi errores / Bonifazio Graziani	pp. 28-35
Mus. 350, no. 11 Or ch'il core arde'al foco	pp. 36-37
Mus. 350, no. 12 Potrei non amar' più	pp. 38-39
Mus. 350, no. 13 Vittoria, mio core (Amante sciolto d'amore) / Giacomo Carissimi	pp. 40-42
Mus. 350, no. 14 A chi, lasso, crederò / Luigi Rossi	pp. 42-43
Mus. 350, no. 15 Beneath this gloomy shade (voice-part only) / [?? Daniel Purcell; see Hunter 5/28]	pp. 44-45
Mus. 350, no. 16 Port'in front'il sol ch'adoro	p. 45
Mus. 350, no. 17 Thus mortals must submit to fate / William Turner (ii)	pp. 46-48
Mus. 350, no. 18 Con lusinghe di sereno	pp. 49-51
Mus. 350, no. 19 Pensieri quietate	p. 52
Mus. 350, no. 20 Amanti, sentite Amor / Marco Marazzoli	pp. 53-57
Mus. 350, no. 21 Mortali, che fate	pp. 58-60
Mus. 350, no. 22 Poor galley slaves, your case indeed is hard (continuo part incomplete) / Michael Wise	pp. 60-63
Mus. 350, no. 23 Hence, all ye vain delights (incomplete) / [? John Hilton; try Egerton 2013]	pp. 64-65
Mus. 350, no. 24 Usquequo Domine oblivisceris / Claude Desgranges	pp. 68-70
Mus. 350, no. 25 Scoca pur tutti / Jean-Baptiste Lully	pp. 70-72
Mus. 350, no. 26 Voglio amarvi luci / Vincenzo Albrici	pp. 73-77
Mus. 350, no. 27 Domine, quid multiplicati sunt / Claude Desgranges	pp. 78-81
Mus. 350, no. 28 La peine d'aymer (from 'Cadmus et Hermione') / Jean-Baptiste Lully	p. 82
Mus. 350, no. 29 Cessez de vous plaindre (from 'Cadmus et Hermione') / Jean-Baptiste Lully	p. 83
Mus. 350, no. 30 Anime, voi che sete / Luigi Rossi	pp. 84-89
Mus. 350, no. 31 How I have served, how just or true / John Blow	pp. 90-93
Mus. 350, no. 32 From lasting and unclouded day (incidental music to 'Pompey' (1663?); words by Katherine Phillips) / John Banister (i)	pp. 93-97
Mus. 350, no. 33 Proud monument of royal dust (incidental music to 'Pompey') / John Banister (i)	pp. 98-99
Mus. 350, no. 34 Ascend the throne, great queen (incidental music to 'Pompey') / John Banister (i)	pp. 100-101
Mus. 350, no. 35 Then after all the blood that's shed (incidental music to 'Pompey') / John Banister (i)	p. 101
Mus. 350, no. 36 Peaceful is he, and most secure / John Blow	pp. 102-105
Mus. 350, no. 37 Begone, all fruitless joys / John Banister (i)?	pp. 106-108
Mus. 350, no. 38 Urge me no more (Z.426) / Henry Purcell	pp. 109-113
Mus. 350, no. 39 Wilt thou forgive that sin / Pelham Humfrey	pp. 114-117
Mus. 350, no. 40 Lord, I have sinned / Pelham Humfrey	pp. 118-120
Mus. 350, no. 41 From silent shades and the Elysian groves (Z.370) / Henry Purcell	pp. 121-127
Mus. 350, no. 42 Come, Poetry, and with you bring along / John Blow	pp. 128-135
Mus. 350, no. 43 Arise, my darkened melancholy soul / John Blow	pp. 136-139
Mus. 350, no. 44 Why weeps Asteria? / John Blow	pp. 140-147
Mus. 350, no. 45 When from the old chaos brisk light started out / John Blow	pp. 148-151

	Reel 11	Reel 11	Reel 11	Reel 11
Mus. 353-6	Mus. 353	Mus. 354	Mus. 355	Mus. 356
Mus. 353-6, no. 1 Ten airs in d minor for two trebles, bass and continuo; VdGS 101-110 / Charles Coleman	ff. 1^r-5^v	ff. 1^r-5^v	ff. 1^r-5^v	ff. 1^r-5^v
Mus. 353-6, no. 2 Ten airs in D major for two trebles, bass and continuo; VdGS 71-80 / Charles Coleman	ff. 6^r-10^v	ff. 6^r-10^v	ff. 6^r-10^v	ff. 6^r-10^v
Mus. 353-6, no. 3 Nine airs in g minor for two trebles, bass and continuo; VdGS 301-9 / Charles Coleman	ff. 11^r-15^r	ff. 11^r-15^r	ff. 11^r-15^r	ff. 11^r-15^r
Mus. 353-6, no. 4 Six airs in G major for two trebles, bass and continuo; VdGS 251-6 / Charles Coleman	ff. 15^v-18^r	ff. 15^v-18^r	ff. 15^v-18^r	ff. 15^v-18^r
Mus. 353-6, no. 5 Six airs in B flat major for two trebles, bass and continuo; VdGS 381-6 / Charles Coleman	ff. 18^v-21^r	ff. 18^v-21^r	ff. 18^v-21^r	ff. 18^v-21^r
Mus. 353-6, no. 6 Four airs in F major for two trebles, bass and continuo; VdGS 191-4 / Charles Coleman	ff. 21^v-23^r	ff. 21^v-23^r	ff. 21^v-23^r	ff. 21^v-23^r
Mus. 353-6, no. 7 Seventeen fantasies a4, VdGS 1-17 / Richard Mico	ff. 24^v-38^v	ff. 24^v-39^r	ff. 24^v-38^r	ff. 24^v-38^r
Mus. 353-6, no. 8 Two unidentified bass parts in d minor, the first titled 'Ayre', the second untitled and incomplete			f. [47v]
Mus. 353-6, no. 9 Unidentified bass part in d minor				f. 38^v

	Reel 11
Mus. 359	Mus. 359
Mus. 359, no. 1 Two instrumental movements in D major	f. 1^r
Mus. 359, no. 2 Bourée, Minuet and Passepied in D major/d minor	ff. 1^v-2^r
Mus. 359, no. 3 La Bertagne	f. 2^v
Mus. 359, no. 4 La mariée	f. 3^r
Mus. 359, no. 5 Rudiments	f. 4^v
Mus. 359, no. 6 Keyboard movement in a minor	f. 5^r
Mus. 359, no. 7 Minuet in C major, for keyboard	f. 6^v
Mus. 359, no. 8 Rudiments	R[0]r-R[0]v
Mus. 359, no. 9 Rudiments	R1^r
Mus. 359, no. 10 Tenor and bass parts for various psalm tunes	R22^r-R25^v
Mus. 359, no. 11 Four psalm tunes: treble and figured bass, in score	R27^v-R29^r
Mus. 359, no. 12 Unidentified fragment	R30^r

	Reel 11
Mus. 360	Mus. 360
Mus. 360, no. 1 Wit and face you still perfection have	f. 1^r
Mus. 360, no. 2 A soldier and a sailor / John Eccles	ff. 1^v-2^r
Mus. 360, no. 3 What shall I do	ff. 2^v-3^r
Mus. 360, no. 4 They tell us that you mighty powers (from 'The Indian Queen', Z.630(19)) / Henry Purcell	ff. 3^v-4^r
Mus. 360, no. 5 If you men like turtles would not stray	f. 4^v
Mus. 360, no. 6 Shepherds, tune your pipes / Daniel Purcell	ff. 4^v-5^r
Mus. 360, no. 7 When Cynthia did by various ways	ff. 5^v-6^r
Mus. 360, no. 8 Genius of England (from 'Don Quixote'; Z.578(7b)) / Henry Purcell	ff. 6^v-8^r
Mus. 360, no. 9 From rosy bowers (opening only; from 'Don Quixote'; Z.578(9a)) / Henry Purcell	f. 8^v
Mus. 360, no. 10 Fugue in D major (opening only, in 4-voice open score) / ?Richard Goodson (ii)	ff. 9^v-10^r

	Reel 11
Mus. 361	Mus. 361
Mus. 361, no. 1 Movement in d minor; possibly a draft	(i)v
Mus. 361, no. 2 Movement in d minor / ?John Banister (ii)	f. 1^r
Mus. 361, no. 3 Movement in g minor / ?John Banister (ii)	f. 1^v
Mus. 361, no. 4 Two movements in d minor / 'Mr Douden'	f. 2^r
Mus. 361, no. 5 Three movements in d minor / 'Mr Douden'	ff. 2^v-3^v
Mus. 361, no. 6 Movement in g minor / 'Mr Smith'	f. 3^v
Mus. 361, no. 7 Two movements in d minor / ?John Banister (ii)	f. 4^r
Mus. 361, no. 8 Four movements in G major / 'Mr Douden'	ff. 4^v-5^r
Mus. 361, no. 9 Movement in g minor / 'Mr Bouden'	ff. 4^v-5^r
Mus. 361, no. 10 Two movements in d minor	ff. 6^v-r
Mus. 361, no. 11 Movement in d minor / ?John Banister (ii)	f. 6^v
Mus. 361, no. 12 Two movements in g minor, the first lacking its opening / ?John Banister (ii)	f. 7^r
Mus. 361, no. 13 Movement in C major / Nicholas Staggins	f. 7^v
Mus. 361, no. 14 Two movements in C major / Nicholas Staggins	f. 8^r
Mus. 361, no. 15 Four-movement suite in g minor / ?John Banister (ii)	ff. 8^v-9^r
Mus. 361, no. 16 Two movements in D major / 'Mr Douden'	ff. 9^v-10^r
Mus. 361, no. 17 Movement in g minor / Thomas Farmer	f. 10^r
Mus. 361, no. 18 Four-movement suite in a minor / ?John Banister (ii)	ff. 10^v-11^r
Mus. 361, no. 19 Three-movement suite in C major / 'Mr Smyth'	ff. 11^v-12^r
Mus. 361, no. 20 Two movements in d minor / 'Mr Douden'	f. 12^v
Mus. 361, no. 21 Two movements in C major / 'Mr Douden'	f. 13^r
Mus. 361, no. 22 Four-movement suite in F major / 'Mr Douden'	ff. 13^v-14^r
Mus. 361, no. 23 Captain Digby's farewell / 'Mr Smyth'	f. 14^v
Mus. 361, no. 24 Scotch tune in A major / 'Mr Douden'	f. 14^v
Mus. 361, no. 25 Two movements in C major / 'Mr Smyth'	f. 14^v
Mus. 361, no. 26 Five-movement suite in a minor / ?John Banister (ii)	ff. 15^v-16^r
Mus. 361, no. 27 Three-movement suite in A major / ?John Banister (ii)	ff. 16^v-17^r
Mus. 361, no. 28 Movement in A major / 'Mr Dowdon'	f. 17^r
Mus. 361, no. 29 Four airs in D major / 'Mr Douden'	ff. 17^v-18^r
Mus. 361, no. 30 Three-movement suite in g minor / 'Mr Hall'	ff. 18^v-19^r
Mus. 361, no. 31 Two movements in D major / 'Mr Douden'	ff. 19^v-20^r
Mus. 361, no. 32 Movement in G major / Robert Smith	f. 20^r
Mus. 361, no. 33 Movement in g minor / 'Mr Dowden'	f. 20^v
Mus. 361, no. 34 Movement in g minor / Thomas Farmer	f. 21^r
Mus. 361, no. 35 Seven-movement suite in B flat major / 'Mr Hall'	ff. 21^v-23^v
Mus. 361, no. 36 Scotch tune in G major / 'Mr Smyth'	f. 24^r
Mus. 361, no. 37 Movement in A major / 'Mr Smyth'	f. 24^r
Mus. 361, no. 38 Four-movement suite in a minor / 'Mr Dowdon'	ff. 24^v-25^r
Mus. 361, no. 39 Four-movement suite in C major / 'Mr Smyth'	ff. 25^v-26^r
Mus. 361, no. 40 Two movements in G major / 'Mr Smyth'	f. 26^v
Mus. 361, no. 41 Two movements in g minor, the first copied twice / Robert Smith	ff. 27^r-28^r
Mus. 361, no. 42 Three-movement suite in g minor / ?John Banister (ii)	ff. 28^v-29^r
Mus. 361, no. 43 Five-movement suite in d minor / 'Mr Dowdon'	ff. 29^v-30^v
Mus. 361, no. 44 Five-movement suite in d minor / 'Mr Dowdon'	ff. 31^v-32^v
Mus. 361, no. 45 Two movements in a minor / 'Mr Smyth'	ff. 32^v-33^r
Mus. 361, no. 46 Four-movement suite in G major / 'Mr Dowdon'	ff. 33^v-34^r
Mus. 361, no. 47 Three-movement suite in a minor / ?John Banister (ii)	ff. 34^v-35^r
Mus. 361, no. 48 Three movements in C major / 'Mr Dowdon'	ff. 35^v-36^r
Mus. 361, no. 49 Movement in g minor	f. 48^r
Mus. 361, no. 50 Two movements in B flat major / 'Mr Douden'	f. 47^v
Mus. 361, no. 51 Two movements in d minor / 'Mr Douden'	f. 47^r
Mus. 361, no. 52 Movements in g minor / 'Mr Douden'	f. 46^v
Mus. 361, no. 53 Three-movement suite in G major / 'Mr Douden'	ff. 46^r-45^v
Mus. 361, no. 54 Three-movement suite in F major / 'Mr Douden'	ff. 45^r-44^v
Mus. 361, no. 55 Movement in e minor / 'Mr Douden'	f. 44^r
Mus. 361, no. 56 Mr Overbury's Hampshire honey	f. 43^v

	Reel 11
Mus. 362	Mus. 362
Mus. 362, no. 1 Two movements in g minor, the first incomplete at the beginning, the second marked 'ffinis', with the instruction to 'play the prelud betwixt each strayne and last'	f. 1^r
Mus. 362, no. 2 Movement in F major / 'Mr Smyth'	f. 1^v
Mus. 362, no. 3 Movement in G major / Louis Grabu	ff. 1^v-2^r
Mus. 362, no. 4 Movement in d minor; at end: 'Mr Smyth d sol: re' / 'Mr Smyth'	f. 2^r
Mus. 362, no. 5 Movement in d minor / Nicholas Staggins	f. 2^r
Mus. 362, no. 6 Movement in g minor	f. 2^v
Mus. 362, no. 7 Movement in D major / 'Mr Smith'	f. 2^v
Mus. 362, no. 8 Movement in G major / 'Mr Kelly'	f. 3^r
Mus. 362, no. 9 Movement in d minor	f. 3^r
Mus. 362, no. 10 Movement in c minor / 'Mr Smyth'	f. 3^v
Mus. 362, no. 11 Movement in G major, copied twice, the first copy incomplete and deliberately smudged, as if to delete / ?Jeoffrey Ayleworth	ff. 3^v-4^r
Mus. 362, no. 12 Movement in g minor, in four strains	ff. 4^v-5^r
Mus. 362, no. 13 Two movements in B flat major	f. 5^v
Mus. 362, no. 14 Two movements in g minor / John Banister ?(ii)	f. 6^r
Mus. 362, no. 16 Movement in B flat major / John Banister ?(ii)	f. 7^r
Mus. 362, no. 17 Movement in D major	f. 7^v
Mus. 362, no. 18 Movement in G major; at end: 'hobby horse'	ff. 7^v-8^r
Mus. 362, no. 19 Movement in c minor / Thomas? Farmer	f. 8^r
Mus. 362, no. 20 Movement in d minor / 'Mr Smyth'	f. 8^v
Mus. 362, no. 21 Movement G major (= {Mus. 90-1, no.14}) / 'Mr Hall'	f. 9^r
Mus. 362, no. 22 Keyboard movement in C major	f. 9^v
Mus. 362, no. 23 Two movements in G major / John Dowdon	f. 10^r
Mus. 362, no. 24 Movement in d minor	f. 10^v
Mus. 362, no. 25 Movement in D major / 'Mr Smith'	f. 11^r
Mus. 362, no. 26 Three movements in A major or G major, possibly variants of one another / John Dowdon	ff. 11^v-12^r
Mus. 362, no. 27 Movement in B flat major	f. 12^r
Mus. 362, no. 28 Movement in D major	f. 12^v
Mus. 362, no. 29 Incomplete movement probably in G major	f. 12^v
Mus. 362, no. 30 Movement in g minor	f. 13^r
Mus. 362, no. 31 Movement in G major	f. 13^r
Mus. 362, no. 32 Movement in g minor / ?John Banister (ii)	f. 13^v
Mus. 362, no. 33 Movement in D major	f. 14^r
Mus. 362, no. 34 Madam Barton's delight (= movement in F major)	f. 14^r
Mus. 362, no. 35 Movement in B flat major	f. 14^v
Mus. 362, no. 36 Movement in C major	f. 14^v
Mus. 362, no. 37 Movement in G major / John Dowdon	f. 15^r
Mus. 362, no. 38 Fragment in tablature	f. 15^r
Mus. 362, no. 39 Movement in d minor; treble and bass parts, written consecutively	f. 15^v
Mus. 362, no. 40 Movement in d minor	f. 16^r
Mus. 362, no. 41 Movement in c minor; bass part only; copied with the volume inverted	f. 16^r
Mus. 362, no. 42 Movement in G major	f. 16^v
Mus. 362, no. 43 Movement probably in d minor, incomplete at end	f. 16^v
Mus. 362, no. 44 Movement in C major	f. 17^v
Mus. 362, no. 45 Fragment in tablature, roughly aligned with a bass part apparently in d minor	f. 17^v
Mus. 362, no. 46 Movement in g minor	f. 18^r
Mus. 362, no. 47 Movement in c minor; bass part only; copied with the volume inverted	f. 18^r
Mus. 362, no. 48 Movement in g minor; at end: 'the Last Strane but once'	f. 18^v
Mus. 362, no. 49 Movement in F major	f. 19^r
Mus. 362, no. 50 Movement in a minor	f. 19^v
Mus. 362, no. 51 Movement in F major; treble and bass parts, written consecutively	f. 20^r
Mus. 362, no. 52 Movement in F major	f. 20^v
Mus. 362, no. 53 Movement in D major / ?Jeoffrey Ayleworth	f. 20^v
Mus. 362, no. 54 Movement in F major; copied with the volume inverted	f. 21^r
Mus. 362, no. 55 Movement in d minor; copied with the volume inverted	f. 21^r
Mus. 362, no. 56 My mistress say'th shall marry none but me (words only, laid out beneath staves as if text-underlay)	f. 22^r
Mus. 362, no. 57 Movement in G major; copied with the volume inverted	f. 21^v
Mus. 362, no. 58 Fragment in G major	f. 22^r
Mus. 362, no. 59 Movement in C major / ?John Banister (ii)	f. 22^v
Mus. 362, no. 60 Movement in C major / 'Mr Spencer'	f. 23^r
Mus. 362, no. 61 Movement in D major	ff. 23^v-24^r
Mus. 362, no. 62 Movement in F major	f. 24^r
Mus. 362, no. 63 Two movements in B flat major / 'Mr Forcil'	f. 25^v
Mus. 362, no. 64 Movement in c minor	f. 26^r
Mus. 362, no. 65 Two-voice draft in B flat major, copied with the volume inverted	f. 26^r
Mus. 362, no. 66 Movement in g minor	f. 26^v
Mus. 362, no. 67 Movement in C major	f. 26^v
Mus. 362, no. 68 Movement in C major / Robert Smith	f. 27^r
Mus. 362, no. 69 Movement in G major / Robert King	f. 27^r
Mus. 362, no. 70 Movement in ?G major	f. 27^v
Mus. 362, no. 71 Movement in D major; treble and bass parts, written consecutively	f. 39^v
Mus. 362, no. 72 Movement in F major; treble and bass parts, written consecutively; copied with the volume inverted / 'Trundle'	ff. 38^v-39^r
Mus. 362, no. 73 Various jottings	f. 39^r
Mus. 362, no. 74 Movement in B flat major; treble and bass parts in score, and second treble part added at end; copied with the volume inverted	f. 38^r
Mus. 362, no. 75 Movement in A major; treble and bass parts in score; copied with the volume inverted	f. 37^v
Mus. 362, no. 76 Movement in B flat major; treble and bass parts in score, and second treble part added at end	ff. 37^r-36^v
Mus. 362, no. 77 Jottings, copied with the volume inverted	f. 36^v
Mus. 362, no. 78 Movement in B flat major; treble and bass parts in score, and second treble part added at end	ff. 36^r-35^v
Mus. 362, no. 79 Movement in B flat minor (see also {Mus. 362, no. 81})	f. 35^v
Mus. 362, no. 80 Movement in c minor; treble and bass parts in score, and second treble part added at end	ff. 35^r-34^v
Mus. 362, no. 81 Variant of movement in B flat minor = {Mus. 362, no. 79}	f. 34^v
Mus. 362, no. 82 Movement in c minor; treble and bass parts in score	f. 34^r
Mus. 362, no. 83 Movement in B flat major; treble and bass parts, written consecutively	f. 33^r
Mus. 362, no. 84 Unidentified movement in C major / Jean-Baptiste Lully	f. 33^r
Mus. 362, no. 85 Movement in d minor; bass part only	f. 33^r
Mus. 362, no. 86 Movement in B flat major; treble and bass parts, written consecutively / 'Mr Loyd'	f. 32^v
Mus. 362, no. 87 Movement in B flat major; treble and bass parts, written consecutively	ff. 32^r-31^v
Mus. 362, no. 88 Movement in B flat major / ?John Banister (ii)	f. 31^r
Mus. 362, no. 89 Opening of a movement in B flat major, in two drafts	ff. 31^r-30^v
Mus. 362, no. 90 Movement in D major	f. 30^v
Mus. 362, no. 91 Four-movement suite in C major / Thomas? Farmer	ff. 30^r-29^v
Mus. 362, no. 92 Two-movement suite in B flat major / Thomas? Farmer	ff. 29^r-28^v
Mus. 362, no. 93 Movement in d minor	f. 28^v
Mus. 362, no. 94 Two-movement suite in a minor / Thomas? Farmer	f. 28^r

	Reel 11
Mus. 363	Mus. 363
Mus. 363, no. 1 When my cause to Florinda I boldly declare (voice-part only; see also {Mus. 363, no. 50})	ff. 1^r-3^r
Mus. 363, no. 2 I heard a voice, but know not where (voice-part only)	ff. 3^v-5^r
Mus. 363, no. 3 Corant from Suite in c minor / Jeremiah Clarke	ff. 5^v-6^r
Mus. 363, no. 4 Unidentified sketch in C major	f. 6^v
Mus. 363, no. 5 Seek not to know (from 'The Indian Queen', Z.630(15)) / Henry Purcell	ff. 7^r-11^v
Mus. 363, no. 6 Unidentified tune in d minor	f. 12^r
Mus. 363, no. 7 Whilst gazing Strephon	ff. 12^v-16^r
Mus. 363, no. 8 Unidentified melodic line in G major	f. 14^v
Mus. 363, no. 9 Phyllis, when your ogling eyes / Musgrave Heighington?	ff. 17^r-19^r
Mus. 363, no. 10 Unidentified figured bass in A major	f. 20^r
Mus. 363, no. 11 Sound a parley, ye fair (from 'King Arthur', Z.628(26b)) / Henry Purcell	ff. 20^v-22^r
Mus. 363, no. 12 O let me weep (from 'The Fairy Queen', Z629(40ab)) / Henry Purcell	ff. 22^v-26^r
Mus. 363, no. 13 The young Mirtillo, brisk and gay (voice-part only) / John Weldon?	ff. 26^v-28^r
Mus. 363, no. 14 No longer, Damon, I'll repine	ff. 28^v-29^r
Mus. 363, no. 15 Unidentified sketches	ff. 29^v-30^r
Mus. 363, no. 16 See, mortal, see, the goddess view	ff. 30^v-33^r
Mus. 363, no. 17 Miscellaneous drafts of instrumental movements, notated on two staves as if for keyboard / Musgrave Heighington?	ff. 33^v-37^r
Mus. 363, no. 18 Miscellaneous drafts of instrumental movements, notated in open score / Musgrave Heighington?	ff. 37^v-44^r
Mus. 363, no. 19 Donec gratus eram tibi (sketches and drafts; words: Horace, Odes 3/IX) / Musgrave Heighington	ff. 44^v-54^r
Mus. 363, no. 20 Vides ut alta stet nive candidum (sketches; words: Horace, Odes 1/IX) / Musgrave Heighington	ff. 54^v-59^r
Mus. 363, no. 21 O saepe mecum tempus in ultimum (sketch; words: Horace, Odes 2/VII) / Musgrave Heighington	f. 59^v
Mus. 363, no. 22 Mercuri, facunde nepos Atlantis (sketches for section 'te canam'; words: Horace, Odes 1/X; based on the music of {Mus. 363, no. 21}) / Musgrave Heighington	ff. 60^r-61^r
Mus. 363, no. 23 Keyboard piece in C major / Musgrave Heighington?	f. 112^v
Mus. 363, no. 24 Country dance (from 'Dioclesian', Z.627(25); two treble and bass parts on facing pages) / Henry Purcell	ff. 112^r-111^v
Mus. 363, no. 25 Unidentified figured bass in C major	ff. 110^v-111^r
Mus. 363, no. 26 Hornpipe (from 'The Fairy Queen', Z.629(1b); two treble and bass parts on facing pages / Henry Purcell	ff. 110^r-109^v
Mus. 363, no. 27 Hornpipe (from 'The Double Dealer', Z.592(1b); two treble and bass parts on facing pages / Henry Purcell	ff. 109^r-108^v
Mus. 363, no. 28 Air (from 'Abdelazer', Z.570(6); two treble and bass parts on facing pages) / Henry Purcell	ff. 108^r-107^v
Mus. 363, no. 29 Unidentified sketches	ff. 107^r-106^v
Mus. 363, no. 30 To arms, your ensigns straight display (from 'Bonduca', Z.574(15b); untexted treble part only) / Henry Purcell	f. 106^r
Mus. 363, no. 31 Britons strike home (from 'Bonduca', Z.574(16b); untexted treble part only) / Henry Purcell	f. 105^v
Mus. 363, no. 32 Dance tune, with instructions for dance movements	f. 105^v
Mus. 363, no. 33 Ianthe the lovely by Iphis was loved (treble part only) / John Barrett	ff. 105^r-104^v
Mus. 363, no. 34 Rudiments of music theory and figured bass	ff. 104^r-99^r
Mus. 363, no. 35 'The method of Tuning a Spinett or Harpsichord'	f. 101^r
Mus. 363, no. 36 Keyboard piece in C major	f. 98^v
Mus. 363, no. 37 Two movements in B flat major for treble instrument and figured bass	ff. 98^r-96^v
Mus. 363, no. 38 Movement in A major for treble instrument and figured bass	ff. 96^r-95^v
Mus. 363, no. 39 Movement in e minor probably for treble instrument and figured bass; treble part only	f. 95^r
Mus. 363, no. 40 Rudiments of music theory and figured bass	ff. 94^v-93^v
Mus. 363, no. 41 Miscellaneous sketches, including (at f. 90r) 'Love Alarming' / Musgrave Heighington?	ff. 93^r-89^v
Mus. 363, no. 42 Duet in C major for two trumpets	ff. 88^r-87^v
Mus. 363, no. 43 Sketches in keyboard score / Musgrave Heighington?	ff. 87^r-86^r
Mus. 363, no. 44 Eheu fugaces, Postume, Postume (draft; words: Horace, Odes 2/XIV; see also {Mus. 363, no. 46}) / Musgrave Heighington	ff. 85^v-79^v
Mus. 363, no. 45 Integer vitae scelerisque purus (draft; words: Horace, Odes 1/XXII) / Musgrave Heighington	ff. 79^r-71^r
Mus. 363, no. 46 Draft of 'Eheu fugaces, Postume, Postume', continued from {Mus. 363, no. 44} / Musgrave Heighington	ff. 70^v-69^v
Mus. 363, no. 47 Miscellaneous sketches / Musgrave Heighington?	ff. 69^r-67^v
Mus. 363, no. 48 Poscimus, si quid vacui sub umbra (sketches; words: Horace, Odes 1/XXXII) / Musgrave Heighington	ff. 67^r-65^v
Mus. 363, no. 49 Iam satis terris nivis atque dirae (sketches; words: Horace, Odes 1/II) / Musgrave Heighington	ff. 65^r-64^v
Mus. 363, no. 50 Unidentified melody, copied on blank staves beneath {Mus. 363, no. 1}, with the volume inverted	ff. 2^r-1^v