Christ Church Music Catalogue
The following materials are available for purchase on microfilm as detailed below. The contents of the reels are believed to be accurate, in so far as the items listed below appear on the reels, but as the catalogue is not yet complete there may be other material in addition. You should check with the publisher of the microfilm before ordering, and Christ Church accepts no liability should the contents differ from those stated here.
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Series: The music collection of Christ Church, Oxford
Available from: Primary Source Microfilm, Cengage Gale, Cheriton House, Northway, Andover, Hampshire, SP10 5BE, United Kingdom.
Telephone: +44 (0)1264 342832, E-mail: emea.customerservices@cengage.com.
| Mus. 1114 | Reel 37 | |
The full details of the contents of these reels are shown below, with the material of interest highlighted in red in the left margin. The reels which you would need to obtain to acquire this material are highlighted in pink. These reels may also contain some part-books from other sets. If further reels of film are required to complete these other sets, these are also shown below so that you can judge whether or not they are of interest.
| Reel 37 | ||
|---|---|---|
| Mus. 1111 | Mus. 1111 | |
| Mus. 1111, no. 1 I will magnify thee, O God my king / Johann Christoph Pepusch |
pp. 1-10 | |
| Mus. 1111, no. 2 Acquaint thyself with God (incomplete copy) / Maurice Greene |
pp. 10-20 | |
| Mus. 1111, no. 3 I will love thee, O Lord (opening only) / Jeremiah Clarke |
p. 21 | |
| Mus. 1111, no. 4 (Sketches and/or pen trials) |
pp. 22-25 | |
| Mus. 1111, no. 5 Acquaint thyself with God (solo voice-part only) / Maurice Greene |
R1-R2 | |
| Mus. 1111, no. 6 (Sketches) |
f. R3v - R4r | |
| Mus. 1111, no. 7 Sonata in G for ?flute and continuo: Andante / Allegro / Allegro / Jig |
f. R4v - R8r | |
| Mus. 1111, no. 8 Vain is beauty's gaudy flower ('Song in Judith'; = RISM A 1851-3) / Thomas Arne |
f. R8v - R10r | |
| Mus. 1111, no. 9 Sylvia whose eyes are fatal as a gun ('The stocking'; = RISM S 6617-20) / Thomas Stokes |
f. R10r - R13r | |
| Mus. 1111, no. 10 (Sketches) |
f. R13v - R14r | |
| Mus. 1111, no. 11 Busy curious thirsty fly (voice-part only; = RISM G 3768-70) / Maurice Greene |
R29r | |
| Mus. 1111, no. 12 Scipione (HWV 20), Act I Scene 1: March (oboe I part only) / George Frideric Handel |
f. R29r | |
| Mus. 1111, no. 13 Sonata in a minor for ?flute and continuo, in 4 movements (?flute part only) |
f. R29v - R30r | |
| Mus. 1111, no. 14 Minuet (flute part only; = RISM P 6103) / Signor Putti |
f. R30r | |
| Mus. 1111, no. 15 When Fanny blooming fair (flute part only) |
f. R30r | |
| Mus. 1111, no. 16 Trio sonata Op. IV no. 10: Tempo di gavotta (first violin part only) / Arcangelo Corelli |
f. R30v | |
| Mus. 1111, no. 17 Trio sonata Op. II no. 1: Gavotta (first violin part only) / Arcangelo Corelli |
f. R30v | |
| Mus. 1111, no. 18 Service in A: T (incomplete at end) / Henry Aldrich |
f. R35r - R38r | |
| Mus. 1111, no. 19 Zadok the priest (HWV 258; organ part) / George Frideric Handel |
f. R38v - R41r | |
| Mus. 1111, no. 20 Melodic fragments from Suite for keyboard no. 5 in E major, HWV 430, Air with variations ('Harmonious blacksmith') / George Frideric Handel |
f. R41v | |
| Reel 37 | ||
| Mus. 1113 | Mus. 1113 | |
| Mus. 1113, no. 1 Toccata |
pp. 1-2 | |
| Mus. 1113, no. 2 Vestiva i colli / (after Palestrina) |
p. 2 | |
| Mus. 1113, no. 3 Capriccio/canzona |
pp. 3-4 | |
| Mus. 1113, no. 4 Courante francise |
p. 4 | |
| Mus. 1113, no. 5 Toccata |
pp. 5-6 | |
| Mus. 1113, no. 6 Capriccio/canzona |
pp. 7-8 +6 | |
| Mus. 1113, no. 7 Toccata |
p. 9 | |
| Mus. 1113, no. 8 Capriccio/canzona |
p. 10 | |
| Mus. 1113, no. 9 Capriccio/canzona |
pp. 11-12 | |
| Mus. 1113, no. 10 Courante |
p. 12 | |
| Mus. 1113, no. 11 Toccata |
pp. 13-14 | |
| Mus. 1113, no. 12 Courante |
p. 14 | |
| Mus. 1113, no. 13 Toccata |
pp. 15-16 | |
| Mus. 1113, no. 14 Capriccio/canzona |
pp. 16-17 | |
| Mus. 1113, no. 15 Toccata |
p. 18 | |
| Mus. 1113, no. 16 Capriccio/canzona / W.E. |
pp. 19-20 | |
| Mus. 1113, no. 17 Toccata |
p. 21 | |
| Mus. 1113, no. 18 Capriccio |
pp. 21-23 | |
| Mus. 1113, no. 19 Elevation toccata |
pp. 23-24 | |
| Mus. 1113, no. 20 Toccata |
pp. 25-26 +24 | |
| Mus. 1113, no. 21 Aria di Fiorenza (terza parte) |
pp. 27-28 | |
| Mus. 1113, no. 22 Corrente quarta (Pidoux iii/71) / Girolamo Frescobaldi |
p. 28 | |
| Mus. 1113, no. 23 Toccata |
pp. 29-30 | |
| Mus. 1113, no. 24 Capriccio/canzona |
pp. 31-32 +30 | |
| Mus. 1113, no. 25 Toccata |
pp. 33-34 | |
| Mus. 1113, no. 26 Capriccio/canzona |
pp. 35-36 | |
| Mus. 1113, no. 27 Capriccio |
pp. 36-38 | |
| Mus. 1113, no. 28 Corrente terza (Pidoux iii/71) / Girolamo Frescobaldi |
p. 38 | |
| Mus. 1113, no. 29 Toccata |
pp. 39-40 | |
| Mus. 1113, no. 30 Courante |
p. 40 | |
| Mus. 1113, no. 31 Capriccio |
pp. 41-42 | |
| Mus. 1113, no. 32 Toccata (first part) |
pp. 43-44 | |
| Mus. 1113, no. 33 (second part of Toccata {Mus. 1113, no. 32}) |
pp. 45-46 +44 | |
| Mus. 1113, no. 34 Canzona |
pp. 47-48 | |
| Mus. 1113, no. 35 Toccata |
pp. 49-50 +48 | |
| Mus. 1113, no. 36 Canzona |
pp. 51-52 | |
| Mus. 1113, no. 37 Pedal toccata |
pp. 53-55 | |
| Mus. 1113, no. 38 Toccata terza (Pidoux iii/11) / Girolamo Frescobaldi |
pp. 56-58 | |
| Mus. 1113, no. 39 Toccata quinta (Pidoux iii/16) / Girolamo Frescobaldi |
pp. 59-62 | |
| Mus. 1113, no. 40 Toccata settima (Pidoux iii/24) / Girolamo Frescobaldi |
pp. 63-66 | |
| Mus. 1113, no. 41 Toccata ottava (Pidoux iii/28) / Girolamo Frescobaldi |
pp. 67-70 | |
| Mus. 1113, no. 42 Toccata nona (Pidoux iii/32) / Girolamo Frescobaldi |
pp. 71-74 | |
| Mus. 1113, no. 43 Toccata duodecima (Pidoux iii/43) / Girolamo Frescobaldi |
pp. 75-77 | |
| Mus. 1113, no. 44 Corrente seconda (Pidoux iii/70) / Girolamo Frescobaldi |
p. 78 | |
| Mus. 1113, no. 45 Toccata prima (Pidoux iii/3) / Girolamo Frescobaldi |
pp. 79-82 | |
| Mus. 1113, no. 46 Toccata seconda (Pidoux iii/7) / Girolamo Frescobaldi |
pp. 83-86 | |
| Mus. 1113, no. 47 Toccata quarta (Pidoux iii/14) / Girolamo Frescobaldi |
pp. 87-90 | |
| Mus. 1113, no. 48 Toccata sesta (Pidoux iii/20) / Girolamo Frescobaldi |
pp. 91-94 | |
| Mus. 1113, no. 49 Toccata decima (Pidoux iii/36) / Girolamo Frescobaldi |
pp. 95-98 | |
| Mus. 1113, no. 50 Toccata undecima (Pidoux iii/40) / Girolamo Frescobaldi |
pp. 99-102 | |
| Mus. 1113, no. 51 Partite 14 sopra l'aria della Romanesca (Pidoux iii/46) / Girolamo Frescobaldi |
pp. 103-112 | |
| Mus. 1113, no. 52 Corrente prima (Pidoux iii/70) / Girolamo Frescobaldi |
p. 112 | |
| Mus. 1113, no. 53 Partite 11 sopra l'aria di Monicha (Pidoux iii/55) / Girolamo Frescobaldi |
pp. 113-118 | |
| Mus. 1113, no. 54 Partite 12 sopra l'aria di Ruggiero (Pidoux iii/60) / Girolamo Frescobaldi |
pp. 119-126 | |
| Mus. 1113, no. 55 Partite 6 sopra l'aria di Follia (Pidoux iii/67) / Girolamo Frescobaldi |
pp. 127-130 | |
| Mus. 1113, no. 56 Voluntary (Memed no. 46) / B.C. (Benjamin Cosyn?) |
pp. 131-132 | |
| Mus. 1113, no. 57 Voluntary (Memed no. 47) / B.C. (Benjamin Cosyn?) |
pp. 133-134 | |
| Mus. 1113, no. 58 Voluntary (Memed no. 48) / B.C. (Benjamin Cosyn?) |
p. 134 | |
| Mus. 1113, no. 59 Fancy (MB 5 no. 29) / Thomas Tomkins |
pp. 135-136 | |
| Mus. 1113, no. 60 Voluntary |
pp. 137-138 | |
| Mus. 1113, no. 61 Mr Sanders his delight |
p. 138 | |
| Mus. 1113, no. 62 On a plainsong (MB 5 no. 68) / Thomas Tomkins |
pp. 139-140 +136 | |
| Mus. 1113, no. 63 Voluntary (Memed no. 49) / B.C. (Benjamin Cosyn?) |
pp. 141-143 | |
| Mus. 1113, no. 64 Plainsong fantasia (MB 20 no. 48) / Orlando Gibbons or John Bull |
pp. 143-145 | |
| Mus. 1113, no. 65 Voluntary (Memed no. 50) / B.C. (Benjamin Cosyn?) |
pp. 145-146 | |
| Mus. 1113, no. 66 Fantasia (MB 20 no. 10) / Orlando Gibbons |
pp. 147-148 | |
| Mus. 1113, no. 67 Fantasia (MB 20 no. 11) / Orlando Gibbons |
pp. 149-150 | |
| Mus. 1113, no. 68 Veni redemptor gentium (I) (MB 14 no. 42) / John Bull |
pp. 150-152 | |
| Mus. 1113, no. 69 Plainsong fantasia (MB 20 no. 58) / Orlando Gibbons? |
pp. 153-154 | |
| Mus. 1113, no. 70 Fantasia (MB 20 no. 12) / Orlando Gibbons |
pp. 155-156 | |
| Mus. 1113, no. 71 Voluntary (Memed no. 51) / B.C. (Benjamin Cosyn?) |
p. 156 | |
| Mus. 1113, no. 72 Fantasia (MB 28 no. 62) / William Byrd |
pp. 157-158 | |
| Mus. 1113, no. 73 Fantasia (MB 20 no. 59) / Orlando Gibbons? |
p. 159 | |
| Mus. 1113, no. 74 Voluntary (Memed no. 52) / B.C. (Benjamin Cosyn?) |
p. 160 | |
| Mus. 1113, no. 76 Fantasia / (after John Coprario?) |
p. 162 | |
| Mus. 1113, no. 77 Fantasia (MB 14 no. 15) / John Bull |
p. 163 | |
| Mus. 1113, no. 78 Ionic alman (MB 19 no. 110) / John Bull |
p. 164 | |
| Mus. 1113, no. 79 In nomine IV (MB 14 no. 23) / John Bull |
pp. 165-167 | |
| Mus. 1113, no. 80 In nomine V (MB 14 no. 24) / John Bull |
pp. 167-170 | |
| Mus. 1113, no. 81 In nomine VI (MB 14 no. 25) / John Bull |
pp. 171-173 | |
| Mus. 1113, no. 82 In nomine I (MB 14 no. 20) / John Bull |
pp. 173-176 | |
| Mus. 1113, no. 83 In nomine II (MB 14 no. 21) / John Bull |
pp. 176-178 | |
| Mus. 1113, no. 84 In nomine III (MB 14 no. 22) / John Bull |
pp. 179-181 | |
| Mus. 1113, no. 85 In nomine IX (MB 14 no. 28) / John Bull |
pp. 181-186 | |
| Mus. 1113, no. 86 Hexachord fantasia / Jan Pieterszoon Sweelinck |
pp. 187-194 | |
| Mus. 1113, no. 87 Miserere I (MB 14 no. 34) / John Bull |
pp. 195-198 | |
| Mus. 1113, no. 88 Alman / Robert Johnson (ii) |
p. 199 | |
| Mus. 1113, no. 89 Germain's Alman (MB 19 no. 94) / John Bull |
pp. 199-200 | |
| Mus. 1113, no. 90 Alman (MB 20 no. 34) / Orlando Gibbons |
p. 200 | |
| Mus. 1113, no. 91 Dorick music, 3 parts (MB 14 no. 57) / John Bull |
p. 201 | |
| Mus. 1113, no. 92 Dorick music, 4 parts (MB 14 no. 58) / John Bull |
p. 202 | |
| Mus. 1113, no. 93 Walsingham (MB 19 no. 85, short version) / John Bull |
pp. 203-209 | |
| Mus. 1113, no. 94 Chromatic pavan (Queen Elizabeth's) (MB 19 no. 87a) / John Bull |
pp. 209-210 | |
| Mus. 1113, no. 95 Pavan (MB 5 no. 56) / Thomas Tomkins |
pp. 211-215 | |
| Mus. 1113, no. 96 A toy (MB 5 no. 69) / Thomas Tomkins |
p. 216 | |
| Mus. 1113, no. 97 Fantasia / John Holmes |
pp. 217-218 | |
| Mus. 1113, no. 98 The Italian ground (MB 20 no. 27) / Orlando Gibbons |
pp. 219-220 | |
| Mus. 1113, no. 99 Alman: Lady Hatton / Robert Johnson (ii) |
p. 220 | |
| Mus. 1113, no. 100 Galliard: Lady Hatton (MB 20 no. 20) / Orlando Gibbons |
p. 221 | |
| Mus. 1113, no. 101 Courant chromatique |
p. 222 | |
| Mus. 1113, no. 102 English toy (MB 19 no. 96) / John Bull |
p. 223 | |
| Mus. 1113, no. 103 French alman (MB 19 no. 95) / John Bull |
p. 224 | |
| Mus. 1113, no. 104 Dallying alman (MB 19 no. 104) / John Bull |
p. 225 | |
| Mus. 1113, no. 105 Alman (MB 19 no. 135) / John Bull |
p. 226 | |
| Mus. 1113, no. 106 Alman (MB 19 no. 115) / John Bull |
p. 227 | |
| Mus. 1113, no. 107 Duchess of Brunswick's toy (MB 19 no. 97) / John Bull |
p. 228 | |
| Mus. 1113, no. 108 Prelude (MB 19 no. 118) / John Bull |
p. 228 | |
| Mus. 1113, no. 109 Alman (MB 19 no. 114) / John Bull |
p. 229 | |
| Mus. 1113, no. 110 Alman fantasia (Meridian) (MB 19 no. 134) / John Bull |
pp. 229-230 | |
| Mus. 1113, no. 111 Pavan (MB 19 no. 88a) / John Bull |
pp. 231-234 | |
| Mus. 1113, no. 112 Prelude (MB 19 no. 84) / John Bull |
p. 234 | |
| Mus. 1113, no. 113 Almande (MB 75 no. 14) / Peter Philips |
pp. 235-238 | |
| Mus. 1113, no. 114 Deggio dunque partire (MB 75 no. 5a) / Marenzio arr. Peter Philips |
pp. 238-240 | |
| Mus. 1113, no. 115 A masque tune / Robert Johnson (ii) |
p. 240 | |
| Mus. 1113, no. 116 Io partirò (part 2 of {Mus. 1113, no. 112}; MB 75 no. 5b) / Marenzio arr. Peter Philips |
pp. 241-242 | |
| Mus. 1113, no. 117 Ma voi, caro ben mio (part 3 of {Mus. 1113, no. 112}; MB 75 no. 5c) / Marenzio arr. Peter Philips |
pp. 243-244 | |
| Mus. 1113, no. 118 Fece da voi partita (MB 75 no. 7) / Peter Philips (based on his own madrigal) |
pp. 245-247 | |
| Mus. 1113, no. 119 Le rossignol (MB 75 no. 9) / Lassus arr. Peter Philips |
pp. 247-251 | |
| Mus. 1113, no. 120 Benedicam Dominum (MB 75 no. 24) / Orfeo Vecchi arr. Peter Philips |
pp. 251-253 | |
| Reel 37 | ||
| Mus. 1114 | Mus. 1114 | |
| Mus. 1114, no. 1 (Unidentified song, largely excised) |
f. 1r | |
| Mus. 1114, no. 2 Go, thou gentle whispering wind / Henry Lawes |
ff. 1v-2r | |
| Mus. 1114, no. 3 Come, lovely Phyllis / Henry Lawes |
ff. 2v-3r | |
| Mus. 1114, no. 4 Opening of an instrumental movement in B flat major; treble and bass |
f. 3r | |
| Mus. 1114, no. 5 I prithee send me back my heart / Henry Lawes |
ff. 3v-4r | |
| Mus. 1114, no. 6 Miscellaneous musical jottings |
ff. 4v-5r | |
| Mus. 1114, no. 7 Of all the arts (ornamented bass line) |
f. 5v | |
| Mus. 1114, no. 8 Wandering in love's wilderness (ornamented bass line) |
f. 5v | |
| Mus. 1114, no. 9 Venus and Adonis (solo vocal parts only, opening missing) / John Blow |
ff. 6r-10r | |
| Mus. 1114, no. 10 Miscellaneous musical jottings |
ff. 10v-11r | |
| Mus. 1114, no. 11 From Aberdeen to Edinb'rough / Samuel Akeroyde |
f. 11v | |
| Mus. 1114, no. 12 Solmization exercises |
ff. 11v-12r | |
| Mus. 1114, no. 13 Praise the Lord, O ye his servants / Henry Aldrich |
ff. 12v-15r | |
| Mus. 1114, no. 14 Turn thee unto me, O Lord (opening only, treble and bass) / John Blow |
f. 15v | |
| Mus. 1114, no. 15 Miscellaneous musical jottings |
f. 15v | |
| Mus. 1114, no. 16 O Lord, rebuke me not ('verse') |
ff. 16r-v | |
| Mus. 1114, no. 17 Fairest isle (from 'King Arthur' (Z628/38), untexted treble part) / Henry Purcell |
f. 17r | |
| Mus. 1114, no. 18 Boy go down and fill the other quart ('a 3 voc') / Simon Ives |
f. 17v | |
| Mus. 1114, no. 19 Boy go up and see what makes them mad ('a 3 vo') / John Hilton |
f. 18r | |
| Mus. 1114, no. 20 Solmization exercises |
f. 18v | |
| Mus. 1114, no. 21 Canzonetta (ornamented treble part, mulitated: page torn) |
f. 30v | |
| Mus. 1114, no. 22 Ritrosetta (ornamented treble part, mulitated: page torn) |
f. 30v | |
| Mus. 1114, no. 23 Regalia (= 'When the king enjoys his own again'; ornamented treble part) |
f. 29v | |
| Mus. 1114, no. 24 Luscinia (with heading 'The nightingale'; ornamented treble part) |
f. 28v | |
| Mus. 1114, no. 25 Inamorato (ornamented treble part) |
f. 27v | |
| Mus. 1114, no. 26 Jocosa (ornamented treble part) |
f. 27r | |
| Mus. 1114, no. 27 Intrada/Parola/Riposta/Battaglia/Victoria (ornamented treble part) |
ff. 26r-25v | |
| Mus. 1114, no. 28 Ayre (in G major; bass part only) |
f. 24v | |
| Mus. 1114, no. 29 Treble part in D major |
f. 24r | |
| Mus. 1114, no. 30 Treble part in ?g minor |
f. 23v | |
| Mus. 1114, no. 31 Alman a5 no. 1 (VdGS 1; treble and bass parts, copied on what are now facing pages; f. 22 is largely torn away) / Alfonso Ferrabosco (ii) |
ff. 23r-22v | |
| Mus. 1114, no. 32 Behold, thou hast made my days (treble part, abandoned opening only; see {Mus. 1114, no. 37}) / Orlando Gibbons |
f. 23r | |
| Mus. 1114, no. 33 Tablature or fingering chart? |
f. 21v | |
| Mus. 1114, no. 34 Bass part in G major |
f. 21r | |
| Mus. 1114, no. 35 Sing aloud, harmonious spheres / ?John Banister (i) |
f. 20v | |
| Mus. 1114, no. 36 Draft of piece in d minor without text or title; treble and bass parts in score; incomplete at end, possibly owing to excised leaves / John Blow? |
f. 20r | |
| Mus. 1114, no. 37 Behold thou has made my days (treble part only, incomplete at end; see also {Mus. 1114, no. 32}) / Orlando Gibbons |
f. 19v | |
| Mus. 1114, no. 38 Miscellaneous musical jottings |
f. 19r | |
| Reel 37 | ||
| Mus. 1125 | Mus. 1125 | |
| Mus. 1125, no. 1 First Music from 'Dioclesian', Z.627 (1a-b) / Henry Purcell |
p. 17 | |
| Mus. 1125, no. 2 Three dances (2 almans, sarabrand) in G major, for violin in scordatura] / Thomas Baltzar |
p. 27 | |
| Reel 37 | ||
| Mus. 1140 | Mus. 1140 | |
| Mus. 1140, no. 1 Set in e minor/I (1-5) |
f. 7r | |
| Mus. 1140, no. 2 Set in D major/III (3 only), here labelled 'a' |
f. 5v | |
| Mus. 1140, no. 3 Set in D major/IV (4 only), here labelled 'b' |
f. 7v | |
| Mus. 1140, no. 4 Set in D major/V (2-3 only), here labelled 'c/d' |
f. 5v | |
| Mus. 1140, no. 5 Set in D major/VI (1-2 only), here labelled 'e/f' |
ff. 9v-10r | |
| Mus. 1140, no. 6 Movement in D major, here labelled 'g' |
f. 6r | |
| Mus. 1140, no. 7 Set in A major/VIII (1-3), here labelled 'h/i/k' |
ff. 6r-v | |
| Mus. 1140, no. 8 Set in e minor/II (1-4), here labelled 'l/m/n/p' |
f. 10v | |