Mus. 49 (pp. 88-151)
Manuscript. Anthems, songs and dialogues, copied in score.
Copyist unidentified; English, late 17th century.
Table of titles and composers as shown in the manuscript. Display in modern form.
1 |
Mr [Richard] Portman |
Rejoyce in the Lord, O yee Righteous |
pp. 88-90 |
2 |
Mr [Pelham] Hum[frey] |
Wilt thou forgive the sin ['A Hymn to God the Father'] |
pp. 91-93 |
3 |
Mr [Thomas?] Wilkinson |
Hear my Prayer o God [sic; recte 'O Lord'] |
pp. 94-95 |
4 |
[Pelham Humfrey] |
Lord I have sinn'd |
pp. 96-98 |
5 |
'Begun by Mr Humphreis, and finish'd by Dr. John Blow' |
Hark how the wakeful cheerful Cock ['A Dialogue between 2 Penitents'] |
pp. 99-107 |
6 |
Mr [Pelham] Humph[r]eis |
O! the sad day |
pp. 108-110 |
7 |
[Henry Cooke] |
Awake my Soul ['The Morning Hymn'] |
pp. 110-114 |
8 |
Mr James Hart |
Where would coy Aminta run |
pp. 115-116 |
9 |
Dr John Wilson |
Stay lovely Boy |
pp. 117-118 |
10 |
[John Wilson] |
Black Maid complain not that I fly ['The Answer'] |
pp. 119-120 |
11 |
Mr [Matthew] Locke |
When Death shall part us from these kids ['Dialogue between Thirsis and Dorinda'] |
pp. 121-127 |
12 |
Dr John Blow |
Awake my lyre ['Davids Song to Michol at her Window. Out of Mr Cowley'] |
pp. 128-132 |
13 |
[Henry Hall] |
Hast Charon hast, tis Nol ['A Dialogue between Oliver and Charon'] |
pp. 133-140 |
14 |
Captain Henry Cooke |
As on a Rivers side |
pp. 141-144 |
15 |
|
If I live to be old |
pp. 145-146 |
16 |
[Michael Wise] |
Old Chiron thus preach't |
pp. 147-150 |
Upright format, 307 x 200 mm. Four gatherings, as follows:
- Fascicle 1: originally 6 nested bifolios = 12 folios, of which
ff. 7-12 have been excised (ff. 1-6: now pp. 88-99). To judge
from surviving stubs of the excised folios, music had been copied
on them with the fascicle inverted, copying from the rear. The
excised leaves have not been traced elsewhere in the Christ Church
collection.
- Fascicle 2: originally 4 nested bifolios = 8 folios, of which
ff. 5-8 have been excised (ff. 1-4: now pp. 100-107). There
is no trace of music on the surviving stubs of the excised leaves.
- Fascicle 3: originally 4 nested bifolios = 8 folios, of which
ff. 5-8 have been excised (ff. 1-4: now pp. 108-115). There
is no trace of music on the surviving stubs of the excised leaves.
- Fascicle 4: 9 nested bifolios = 18 folios, intact (now pp. 116-51).
Unused staves on p. 151. Now bound as pp. 88-151 of Mus. 49,
a late 18th-century guardbook bound in white parchment over boards;
pagination is modern.
Provenance uncertain, but most likely from the Aldrich bequest,
to judge from a jotting in Aldrich's handwriting on p. 127:
'Here's a Health to the King whom the Crown does belong to' (written
below a blank stave, as if intended as text-underlay for a catch).
Microfilm: manuscript music, reel 6.
Bibliography:
Jonathan P. Wainwright, Musical Patronage in Seventeenth-Century
England: Christopher, First Baron Hatton (1605-1670) (Aldershot
and Brookfield VT, 1997), pp. 378-82. 
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