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Mus. 435

Manuscript. Originally a tenor partbook from a set of three or four, containing Richard Dering's Italian madrigals, copied in the same order as in the principal source for these works (Oxford, Bodleian Library, Tenbury MS 1016; scores); copyist unidentified, English, first quarter of the 17th century. Subsequently used by John Hilton (ii) for copying three motets by John Wilson for solo voice and unfigured bass; mid 17th century.

The madrigals by Dering are arranged in three sequences, which the copyist has numbered in three separately sequences: pieces for solo voice (items 1-3), for two voices (items 4-7) and for three voices (items 8-18). The motets by Wilson (items 19-21) are copied at the rear with the volume inverted.

Table of titles and composers as shown in the manuscript. Display in modern form.
The first column gives the modern numbering of the pieces; the second shows numbering used by the copyist(s).

1 1 [Richard Dering] Vergine bella ff. 1r-v
2 2 [Richard Dering] Donna mentrei vi miro ff. 1v-2r
3 3 [Richard Dering] Cosi dunque f. 2v
4 1 [Richard Dering] O miei giorni fugaci f. 2v
5 2 [Richard Dering] O donna troppo cruda f. 3v
6 3 [Richard Dering] O durrezza di ferro ff. 4r-v
7 4 [Richard Dering] Legasti, anima mia ff. 5r-v
8 1 [Richard Dering] T'amo mia vita ff. 6r-v
9 2 [Richard Dering] Crudelissima doglia ff. 7r-v
10 3 [Richard Dering] Alme d'amor rubelle ff. 8r-v
11 4 [Richard Dering] Ho visto al mio dolore ff. 9r-v
12 5 [Richard Dering] Felice chi vi mira ff. 10r-v
13 6 [Richard Dering] Che veggio ohime ff. 11r-v
14 7 [Richard Dering] Al fonte[, al prato] ff. 12r-v
15 8 [Richard Dering] Pargoletto'e colei ff. 13r-v
16 9 [Richard Dering] Lungi dal vostro lume ff. 14r-v
17 10 [Richard Dering] Lasso ch'io more ff. 15r-v
18 11 [Richard Dering] O dolce mio martire f. 16r
19   John Wilson] Exurgat deus ff. 72v-71v
20   John Wilson] Usquequo obliviceris mei ff. 71r-70r
21   John Wilson] Surge amica mea ff. 69v-68v


Upright format, 283 x 195 mm. 72 folios, foliated in modern pencil. Collation: A6 (ff. 1-6), B6 (ff. 7-12), C6 (ff. 13-18); then in sixes to the final gathering (L6 = ff. 67-72). Unused ruled staves on ff. 16v-68r. Early 17th-century binding of brown leather over boards, gold-tooled with fillets enclosing an ornamental centrepiece on the upper and lower covers. Bookplate 2. 19th-century shelfmark: I.5.45.

Provenance: from the Aldrich bequest. Listed in Archives 1717, position D13, as 'A Vol. of Italian Music'; there is an identical entry in Dowding (main hand). In Mus. 435 itself, the shelfmark 'D.13.' is written on the front flyleaf.

Microfilm: manuscript music, reel 17

For other manuscripts at Christ Church copied by John Hilton (ii), see the entry for Mus. 744-6.