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Mus. 429

Manuscript. Five performing parts for six 'sinfonias' (= five-voice single-movement fantasias) by Leonora Duarte (1610-1678?), bound together in a single volume. Music copyist unidentified; titles in the hand of Gaspar Duarte (Leonora's father). Copied probably in Antwerp, second quarter of 17th century. The fantasias bear the following headings (as transcribed from the 'Canto primo' partbook, ff. 28-34):

  • Sinphonie A.5. Leonora Duarte / Decimi toni.
  • Sinfonia 2 A5. de duodesimi toni
  • Sinfonia 3 A5. primi toni
  • Sinfonia 4. seconda parte [of preceding piece]
  • Sinfonia 5 A5. Secondi toni
  • Sinfonia 6 A5. Octavi toni
  • Sinfonia 7 A5. Terti toni

Upright format, 313 x193 mm. The volume has been assembled from what was once a set of five substantial partbooks, each of which ended with a large number of sheets with unused ruled staves. Of this set, Mus. 429 was the 'Bassus' partbook; it opens with pages bearing music notation, and continues with gatherings of unused ruled staves. The latter were then selectively cut down to stubs, and used as guards on to which excised leaves from the four remaining partbooks were then pasted. (No trace remains of the four discarded partbooks.) 102 folios; foliation is in modern pencil. Gathering structure as follows:

  • ff. 1-12: opening of the original 'Bassus' partbook, comprising two gatherings each of 3 nested bifolios (= 6 folios). Music notation on rectos of ff. 1-7; unused ruled staves on all other pages. The last three leaves (ff. 9-12) have been cut down to stubs, to which are pasted the first three leaves of the next partbook. The remainder of the volume (including sheets now cut down to stubs) continues in gatherings each of 3 nested bifolios (= 6 folios; 17 gatherings in total).
  • ff. 10-18: seven sheets cut from the 'Canto secondo' partbook, now mounted on stubs on ff. 10-16. Music notation on rectos only; unused ruled staves on all other pages.
  • ff. 19-27: seven sheets cut from the 'Alto' partbook, now mounted on stubs on ff. 19-25. Music notation on rectos only; unused ruled staves on all other pages.
  • ff. 28-36: seven sheets cut from the 'Canto primo' partbook, now mounted on stubs on ff. 28-34. Music notation on rectos only; unused ruled staves on all other pages.
  • ff. 37-43: seven sheets cut from the 'Tenore' partbook, now mounted on stubs. Music notation on rectos only; unused ruled staves on all other pages.
  • f. 44: unused ruled staves. Thereafter, 58 unfoliated sheets, all of which contain unused ruled staves.

Mid 17th-century binding of blue-green velvet over boards; edges gilded. Disturbance to the gilt edges proves that the process of excising and remounting the leaves (as described above) took place after binding. Bookplate 2. 19th-century shelfmark: I.5.39.

Provenance: from the Aldrich bequest, listed in Dowding (main hand, at shelfmark N.1.8) as 'Symphoniae / pro divers. Tonis. Leon Duante MS. 5 Vols.'; the entry was later annotated by Havergal: '5 vol: bound together'. In Mus. 429 itself, the shelfmark 'N8' (equivalent to N.1.8) is written on the front flyleaf. Following the removal of the music collections to the New Library in c. 1763, this item was shelved as part of the Goodson bequest, and is listed as such in Malchair 1787 (f. 4) as 'A Vol. bound in Changable green velvet. / the contents seemingly useless' (presumably on account of the five performing parts being bound together).

Microfilm: manuscript music, reel 48.

Bibliography:

  • Rudolph Rasch, 'The Antwerp Duarte Family as Musical Patrons', in Orlandus Lassus and his Time, ed. Ignace Bossuyt, Eugeen Schreurs and Annelies Wouters, Yearbook of the Alamire Foundation, 1 (Peer, 1995), pp. 415-29. Find in a Library
  • Leonarda [sic] Duarte, Seven Sinfonie à 5, ed. David Pinto, with a biographical introduction by Rudolf Rasch (Corda Music Publications CMP 448; St Albans, 1998). Find in a Library