Christ Church Library music catalogue: Mus. 1141a (ff. 70-77)

Mus. 1141a (ff. 70-77)

Manuscript. Violin parts for orchestral movements extracted from operas by Lully, and for works by Henry Hall (i), copied by James Talbot, in one case collaboratively with Hall; English, late 17th century. Three pieces are provided either with a bass part, or with blank staves on which a bass could be added.

Items 1-15 and 17-28: copied wholly by James Talbot.
Item 11: copied in two-stave score, the lower stave left blank for the addition of a bass part. Copying begins on ff. 71v-73v, and ends on f. 77r.
Item 16: copied in two-stave score, initially by Henry Hall, then (from stave 9 of f. 75r) by Talbot, with the lower stave left blank. The attribution to 'Mr Hall' (f. 75v) is in Talbot's hand.
Item 27: two violin parts, written in score.
Item 28: for violin and bass in score; emendations to the bass suggest that it was composed by Talbot himself.

Table of titles and composers in modern form. Display form found in manuscript.

1	Jean-Baptiste Lully	Bourrée pour les Egyptiens (from 'Phaeton')	f. 70^r
2			f. 70^r
3	Henry Hall (i)	Overture	f. 70^r
4	Jean-Baptiste Lully	Ouverture (from 'Le grand divertissement royal de Versailles' (1668))	f. 70^v
5	Jean-Baptiste Lully	Air pour les bergers (from 'Le grand divertissement royal de Versailles' (1668))	f. 70^v
6	Jean-Baptiste Lully	Second acte, Entrée de bateliers (from 'Le grand divertissement royal de Versailles' (1668))	f. 70^v
8			f. 71^r
9			f. 71^r
10	Jean-Baptiste Lully	Ouverture (from 'Amadis')	f. 71^r
11	Jean-Baptiste Lully	Chaconne (from 'Amadis')	ff. 71^v-77^r
12	Jean-Baptiste Lully	Air de gavotte (from 'Ballet des Muses')	f. 74^r
13			f. 74^r
14			f. 74^r
15	'Baptist' (= Jean-Baptiste Lully?)		f. 74^r
16	Henry Hall (i)	Chaconne	ff. 74^v-75^v
17	Jean-Baptiste Lully	Entrée des songes funestres (from 'Atys')	f. 76^r
18			f. 76^r
19			f. 76^r
20			f. 76^v
21			f. 76^v
22		Overture	f. 76^v
23			f. 76^v
25	Jean-Baptiste Lully	Marche pour le combat de la barrière (from 'Amadis')	f. 77^r
26	Jean-Baptiste Lully	Second air (from 'Amadis')	f. 77^v
27			f. 77^v
28			f. 77^v

Upright format, 330 x 205 mm. 8 folios. Collation uncertain on account of the tightness of the binding; to judge from the distribution of item 11 over non-adjacent leaves, the order of pages as currently bound does not represent the original order of the leaves. Annotations on f. 77v: 'Mecaenas' (twice) and 'Pindaric Ode'. Bound into Mus. 1141a, an early 20th-century guardbook of stiff card and vellum. No early bookplate.

Provenance: almost certainly from the Aldrich bequest, together with other music copied by James Talbot (see below).

Microfilm: manuscript music, reel 38.

For a list of other music manuscripts at Christ Church copied by James Talbot, see the entry for Mus. 1152.

For a list of other music manuscripts at Christ Church copied by Henry Hall, see the entry for Mus. 1212(B).